by Joseph Nahas
edited by Francesco Medici and Glen Kalem
One day, instead of eating our lunch at the restaurant, Gibran and I prepared our own sandwiches and walked over to Battery Park. There we saw a blind man sitting on a bench, running his fingers over a white page covered with dots protruding through embossing. The man’s lips moved as if he were whispering to himself, as his fingers moved over the white sheet. As we passed by the blind man, Gibran remarked, “Let’s sit on the adjoining bench, eat our sandwiches quietly while watching this man with ‘seeing fingers.’” We sat down eating, while our eyes were fixed on the blind man, watching the expressions on his face, smiling now, frowning then, as his fingers deftly moved over one line after another, page after page. ...
Kahlil Gibran’s, The Prophet has been published by the Folio Society with colour illustrations of his original drawings for the first time. The Prophet entered the public domain at the beginning of this year fostering in a new era of publications that are keeping the books remarkable legacy alive. The Arts and Collectables International website has captured its re-birth in this article: https://www.artsandcollections.com/kahlil-gibrans-best-seller-the-prophet-issued-in-folio-society-illustrated-edition/