WHEN THE ITALIAN MONKS SOLD THE MONASTERY OF MAR SARKIS Copyright © 2019, by Francesco Medici and Charles M. Samaha, all rights reserved. by Francesco Medici and Charles Malouf Samaha In his later years, Kahlil Gibran repeatedly expressed his will to return to Lebanon and settle in his desired final resting-place, Mar Sarkis (Saint Sergius). This ancient monastery-hermitage overlooks the Kadisha Valley where he had spent his childhood, and is now known as the Gibran Museum. He once confessed to his intimate friend Mikhail ‘Mischa’ Naimy:

The Kahlil Gibran Collective attended the opening of Kahlil Gibran: The Garden of the Prophet celebrating the life and work of literary genius Kahlil Gibran.  The moving space created by the team at Immigration Museum Victoria set out to reflect Gibran’s world, by gaining insight into his key relationships and rediscover the power and relevance of his work today. 50 original paintings and drawings plus some of Gibran's New York studio furniture make up the current exhibition on loan from the Gibran Museum of Lebanon.  Kahlil Gibran: The Garden of the Prophet is proudly presented by the Bank of Sydney, supported by the Gibran National Committee, and has received grant funding from the Council for Australian-Arab Relations of the Department of Foreign A...

 Story by Glen Kalem.  Copyright © Glen Kalem and kahlilgibran.com all rights reserved 2019  January 1st 2019.  After 95 years and a 188 consecutive print runs - the longest in publishing history, Kahlil Gibran's much-loved and admired book The Prophet enters the public domain today.  

By Francesco Medici Siegfried Loraine Sassoon (1886-1967), well known as a highly decorated English soldier and writer, was one of the leading poets of the First World War. His verse, that described the horrors of the trenches and satirized the patriotic spirit, greatly influenced Wilfred Owen (1893-1918), who was the most famous poet-soldier of English literature and to whom Sassoon was mentor.  On 28 January 1920, Sassoon arrived in New York for a lecture tour and Gibran, eager to draw him for his “Temple of Art,” got an appointment with him on 10 Feburary. On that cold and snowy Tuesday, the two lunched together and Sassoon accepted to sit for a portrait. After coming back to the Seville Hotel, at 88 Madison Avenue, Sassoon wrote down in his notebook: