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    "Jababiret al-Ard" (The Earth Gods), a theatre play, adaptation of the book by Kahlil Gibran, Ramallah 2003.

    "Jababiret al-Ard" (The Earth Gods), a theatre play, adaptation of the book by Kahlil Gibran, Ramallah 2003.

    _________

    Ashtar Theatre's play titled, "Jababiret al-Ard" [The Earth Gods], and performed by Walid abd es-Salam, Omar al-Jallad, Mahmud Eid, and Maysun Rafidi. The play is an adaptation of a book written by Kahlil Gibran of the same name, directed by Ashtar's artistic director Iman Aoun and visual artist Taysir Barakat (Ramallah, Palestine 2003); English and Arabic original texts. It includes an introduction to Ashtar and a project description in terms of the synopsis and aesthetics of the performance of the play, in addition to tours and a list of biographies of the team involved in the process.
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    "The Poet Jawdat Haydar: An Outstanding Talent From Lebanon", The Educational Magazine, Special Issue, Dec 2011.
    "The Poet Jawdat Haydar: An Outstanding Talent From Lebanon", The Educational Magazine, Special Issue, Dec 2011.
     
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    Afram Yacoub Mansour, Gibran Khalil Gibran, Arab Foundation for Studies and Publishing, 1984 (Biography in Arabic).
    Afram Yacoub Mansour, "Gibran Khalil Gibran", Arab Foundation for Studies and Publishing, 1984 (Biography in Arabic).
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    Al-Adab, Vol. 1, Nr. 4, 1953.

    Al-Adab, Vol. 1, Nr. 4, 1953.

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    al-Jababira [The Titans], Al-Hilal 7 (April 1, 1916), pp. 554-556 (from: al-Hilal fa 'Arbaein Sanat 1892-1932, al-Qahirah: 'Iidarat al-Hilal, 1932, pp. 130-131).

    al-Jababira [The Titans], Al-Hilal 7 (April 1, 1916), pp. 554-556 (from: al-Hilal fa 'Arbaein Sanat 1892-1932, al-Qahirah: 'Iidarat al-Hilal, 1932, pp. 130-131).

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    al-Majmuʻah al-kāmilah li-muʼallafāt Jubrān Khalīl Jubrān, edited by Mīkhāʼīl Nuʻaymah [Mikhail Naimy], v.1, Bayrūt: Dār Ṣādir, 1949.
    al-Majmuʻah al-kāmilah li-muʼallafāt Jubrān Khalīl Jubrān, edited by Mīkhāʼīl Nuʻaymah [Mikhail Naimy], v.1, Bayrūt: Dār Ṣādir, 1949.
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    al-Majmuʻah al-kāmilah li-muʼallafāt Jubrān Khalīl Jubrān, edited by Mīkhāʼīl Nuʻaymah [Mikhail Naimy], v.2, Bayrūt: Dār Ṣādir, 1949.
    al-Majmuʻah al-kāmilah li-muʼallafāt Jubrān Khalīl Jubrān, edited by Mīkhāʼīl Nuʻaymah [Mikhail Naimy], v.2, Bayrūt: Dār Ṣādir, 1949.
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    al-Majmuʻah al-kāmilah li-muʼallafāt Jubrān Khalīl Jubrān, edited by Mīkhāʼīl Nuʻaymah [Mikhail Naimy], v.3, Bayrūt: Dār Ṣādir, 1949.

    al-Majmuʻah al-kāmilah li-muʼallafāt Jubrān Khalīl Jubrān, edited by Mīkhāʼīl Nuʻaymah [Mikhail Naimy], v.3, Bayrūt: Dār Ṣādir, 1949.

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    al-Nabī [The Prophet], Translated into Arabic by Antūniyūs Bashīr, al-Qāirah: al-Maṭbaʻah al-Raḥmānīyah bi-Miṣr, 1926.

    al-Nabī [The Prophet], Translated into Arabic by Antūniyūs Bashīr, al-Qāirah: al-Maṭbaʻah al-Raḥmānīyah bi-Miṣr, 1926.

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    al-Nabī [The Prophet], Translated into Arabic by Mīkhāʼīl Nuʻaymah [Mikhail Naimy], Bayrūt: Nawfal, 2015 (1st edition: Bayrūt: Nawfal, 1956).

    al-Nabī [The Prophet], Translated into Arabic by Mīkhāʼīl Nuʻaymah [Mikhail Naimy], Bayrūt: Nawfal, 2015 (1st edition: Bayrūt: Nawfal, 1956).

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    al-Nabī [The Prophet], Translated into Arabic by Sharwat 'Ukāshah, Bayrūt: Dār al-Shurūq, 2000.
    al-Nabī [The Prophet], Translated into Arabic by Sharwat 'Ukāshah, Bayrūt: Dār al-Shurūq, 2000.
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    al-Sābiq (The Forerunner), Translated into Arabic by Anṭūniyūs Bashīr, Egypt: al-Hilāl, 1924 (1st edition).
    al-Sābiq (The Forerunner), Translated into Arabic by Anṭūniyūs Bashīr, Egypt: al-Hilāl, 1924 (1st edition).
     
    Source: Arab American National Museum 


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    al-Sanabil [The Spikes of Grain], New York: As-Sayeh, 1929.
    al-Sanabil [The Spikes of Grain], New York: As-Sayeh, 1929. 
    ________
     
    The last of Gibran’s Arabic books was published in 1929. Al-Sanabil [The Spikes of Grain] is a commemorative anthology of his works that was presented to him at an Arrabitah banquet.
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    al-Shawaeir al-sharifa [The Noble Sentiments], Edited by Yaqub Rouphail, New York: Al-Hoda Press, 1923

    al-Shawaeir al-sharifa [The Noble Sentiments], Edited by Yaqub Rouphail, New York: Al-Hoda Press, 1923 [digitized by the Moise A. Khayrallah Center for Lebanese Diaspora Studies, North Carolina State University, Raleigh, NC, USA]. 
    ___________

    al-Shawaeir al-sharifa [The Noble Sentiments], is an edited collection of poems and speeches presented on April 7, 1923 in honor of Silver Anniversary celebration of Al-Hoda [Guidance]; the second half of the text contains material presented at a similar celebration several months later in Mexico City. Al-Hoda, one of the earliest Arabic-language Lebanese-American newspapers,was founded by Naoum A. Mokarzel (1864-1932), who also headed a publishing press under the same name. Edited by Yaqub Rouphail, who served as editor of al-Akhlaq [Manners] magazine, the text contains contributions by many notable Arab-Americans including: Kahlil Gibran, Mikhail Naimy, Nadrah Haddad, and the feminist writer Afifa Karam. The pieces predominantly consist of celebrations of Naoum Mokarzel, the publishing press, and the numerous cultural and professional accomplishments achieved by the Lebanese-American community in just 35 years.

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    Ameen Rihani, Qussati ma' Mayy (My Story with May Ziyadah), Beirut: The Arab Institute for Research and Publication, 1980.

    Ameen Rihani, Qussati ma' Mayy (My Story with May Ziyadah), Beirut: The Arab Institute for Research and Publication, 1980.

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    As-Sayeh, 1923
    As-Sayeh, 1923
     
    Source: Arab American National Museum
     
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    Barbara Young, "Hadha al-Rajul min Lubnan: Jubran Khalil Jubran" (This Man From Lebanon: A Study of Kahlil Gibran), Translated into Arabic by Sa'id 'Afif Baba, Beirut: Dar Al-Andalu

    Barbara Young, "Hadha al-Rajul min Lubnan: Jubran Khalil Jubran" (This Man From Lebanon: A Study of Kahlil Gibran), Translated into Arabic by Sa'id 'Afif Baba, Beirut: Dar Al-Andalus, 1964

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    Elia Abu Madi, Al-Jadawil (The Streams), with an introduction by Mikhail Naimy and drawings by Kahlil Gibran, New York: Mir'at al-Gharb al-Yawmiyyah, 1927.
    Elia Abu Madi, Al-Jadawil (The Streams), with an introduction by Mikhail Naimy and drawings by Kahlil Gibran, New York: Mir'at al-Gharb al-Yawmiyyah, 1927.
     
    Source: Arab American National Museum 


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    Elia Abu Madi, Diwan Iliya Abu Madi al-Juz' al-Thani, Introduction and Illustrations by Kahlil Gibran, New York: Mir'at al-Gharb al-Yawmiyyah, 1919.
    Elia Abu Madi, Diwan Iliya Abu Madi al-Juz' al-Thani, Introduction and Illustrations by Kahlil Gibran, New York: Mir'at al-Gharb al-Yawmiyyah, 1919.
     
    Source: Arab American National Museum 


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    Elias Abu Shabaki (Ilyās Abū Shabakah), Rawābiṭ al-fikr wa-al-rūḥ bayna al-ʻArab wa-al-Farinjah (Intellectual and spiritual links between the Arabs and the French), Bayrūt: Manshūrāt Dār al-Makshūf, 1943.

    Elias Abu Shabaki (Ilyās Abū Shabakah), Rawābiṭ al-fikr wa-al-rūḥ bayna al-ʻArab wa-al-Farinjah (Intellectual and spiritual links between the Arabs and the French), Bayrūt: Manshūrāt Dār al-Makshūf, 1943.

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    Esteban Fayad, "Gibran Khalil Gibran y Amin Rihani", Mundo Árabe, Jun 30, 1947, p. 10.

    Esteban Fayad, "Gibran Khalil Gibran y Amin Rihani", Mundo Árabe, Jun 30, 1947, p. 10.

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    Gibran International Academic Conference (Program), Lebanese House, Moscow, May 26-27 and June 1-2, 2021

    Gibran International Academic Conference (Program), Lebanese House, Moscow, May 26-27 and June 1-2, 2021

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    Gibran International Conference Proceedings, Lebanese House, Moscow, 2021.
    Gibran International Conference Proceedings, Lebanese House, Moscow, 2021. 
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    Ḥadīqat al-Nabī [The Garden of the Prophet], translated into Arabic by Kamāl Zākhir Laṭīf, al-Qāhirah: Maktabat al-‘Arab, 1950.

    Ḥadīqat al-Nabī [The Garden of the Prophet], translated into Arabic by Kamāl Zākhir Laṭīf, al-Qāhirah: Maktabat al-‘Arab, 1950.

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    Henri Zoghaib, "Hadha al-Rajul min Lubnan", Lebanese American University (LAU), 2021.

    Henri Zoghaib, "Hadha al-Rajul min Lubnan", Lebanese American University (LAU), 2021.

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    Ibrahem Bani Abdo & Sajida B. Yaseen, "A Cultural Contrastive Translation Study of Omission in Gibran's the Broken Wings", Journal of Social Sciences, Vol.8, No.4, 2019, pp. 805-816. 
    Ibrahem Bani Abdo & Sajida B. Yaseen, "A Cultural Contrastive Translation Study of Omission in Gibran's the Broken Wings", Journal of Social Sciences, Vol.8, No.4, 2019, pp. 805-816. 
    _________
     
    This study investigates how omission may affect the aesthetic features of the target text (TT) compared to the source text (ST) and does omission lead to a loss of meaning in translating the aesthetic entertaining features of Gibran's Al-‘Ajniha Al-Mutakaserah source text (ST) compared to its English equivalent novel target text (TT) the Broken Wings. It aims to discuss the effects of omission in the translation process between Arabic and English and whether this selected technique may affect the semantic level and the loss of meaning of the target text compared to the source text. Consequently, this article detects omission of metaphor, simile, and repetition and how it may affect the semantic levels of the source text (ST). It is a qualitative comparative analysis examines omission of 20 random samples extracted from Gibran’s Al-‘Ajniha Al-Mutakaserah (1912). The sample is grouped in five categories according to the type of omitted figurative expression as (i) Repetitions; (ii) Metaphors; (iii) Adverb of status; (iv) Personification; and (v) Similes. Each sample is assigned according to their functions. The semantic differences in terms of functions were identified to based on Newmark (1988); Petrulionė (2012); Nida & Taber (2003); Baker (2011); Farghal & Shunnaq (1999); Jayyusi (1977); Ryding (2011); Al-Batal (1990); Abdul-Raof (2006); Johnstone (1991); Obeidat (1997); Younis (2015) and Leppihalme (1997). The results show that omission in translating such poetic novel causes loss of the aesthetic semantic features. The sense of originality and the figurative language have been lost. The intentional or unintentional omission lessens the embellishment embedded in the source text (ST). Finally, omission produces a different effective version, other than the source text (ST).
     
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    Iskandar Najjār (Alexandre Najjar), Qāmūs Jubrān Khalīl Jubrān (Dictionary of Kahlil Gibran), Bayrūt: Dār al-Sāqī, 2008.
    Iskandar Najjār (Alexandre Najjar), Qāmūs Jubrān Khalīl Jubrān (Dictionary of Kahlil Gibran), Bayrūt: Dār al-Sāqī, 2008.
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    Jean & Kahlil Gibran, "Jubran Khalil Jubran: Hayatuhu wa 'Alamuhu" (Kahlil Gibran: His Life and World), translated into Arabic by Fatima Qandil and Bahaʼ Jahin, Cairo: Supreme Council Of Culture, 2005.

    Jean & Kahlil Gibran, "Jubran Khalil Jubran: Hayatuhu wa 'Alamuhu" (Kahlil Gibran: His Life and World), translated into Arabic by Fatima Qandil and Bahaʼ Jahin, Cairo: Supreme Council Of Culture, 2005.

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    Kahlil Gibran, "Lazarus and His Beloved - The Blind", introduction and translation into Arabic by Henri Zoghaib, 2019.

    Kahlil Gibran, "Lazarus and His Beloved - The Blind", introduction and translation into Arabic by Henri Zoghaib, 2019.

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    Kamal Dib, Bayrut wa al-Hadathat, al-Thaqafat wa al-Huiat min Jubran ila Fayruz (Beirut and Modernity, Culture and Identity from Gibran to Fayrouz), Bayrut al-Nahar, 2010

    Kamal Dib, Bayrut wa al-Hadathat, al-Thaqafat wa al-Huiat min Jubran ila Fayruz (Beirut and Modernity, Culture and Identity from Gibran to Fayrouz), Bayrut al-Nahar, 2010

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    Kamila Ghalmi, "The translation of metonymy in Kahlil Gibran's story 'Rose Hanie'", University of Abou Bakr Belkaïd, Tlemcen, Algeria, 2019.

    Kamila Ghalmi, "The translation of metonymy in Kahlil Gibran's story 'Rose Hanie'", University of Abou Bakr Belkaïd, Tlemcen, Algeria, 2019.

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    Laylat fi al-Arz: Hawl haflat Jubran", al-Irfan, Oct 1, 1931

    Laylat fi al-Arz: Hawl haflat Jubran", al-Irfan, Oct 1, 1931. 

     

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    Lebsir Mohamed & Louiza Akram, "Misinterpretation in Literary Translation in Gibran Khalil Gibran’s The Prophet", The University 8 Mai 1945 (Algeria), 2016.  _______
    Lebsir Mohamed & Louiza Akram, "Misinterpretation in Literary Translation in Gibran Khalil Gibran’s The Prophet", The University 8 Mai 1945 (Algeria), 2016. 
    _______
     
    This study aimed at investigating the difficulties that translators who deal with the English and Arabic language may face when translating literary expressions. Particularly, it aimed at answering the following questions: 1. What are the main difficulties, related to translation that may lead the translator to misinterpret the source text (English) into (Arabic)? 2. What are the elements that should be taken into consideration to translate, interpret adequately from ST to TT? To achieve the goal of this study, the researcher selected The Prophet by Gibran Khalil Gibran translated work from English to Arabic following the two translations by Tharwat Okasha and Antonious Bachir. The researcher focused on two key elements which are subjectivity and equivalence taking into account many odd elements that are mainly related to literary works such as cultural aspects and linguistic as well as extra-linguistic features of the language. The results show that in order to avoid misinterpreting the source text, the translator has to carefully select the equivalent words and expressions taking into account all aspects of the source language as well as being objective while translating. Adequate literary translation must bring an equivalent and objective production of the source text’s style, meaning, and sometimes structure. Otherwise, the subjective and distinctive literary use in the original text will not transmit the three aspects in the target text.
     
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    Letter of Kahlil Gibran to José Mereb, New York, May 16, 1920.
    Letter of Kahlil Gibran to José Mereb, New York, May 16, 1920.
     
    51 West Tenth Street
    Dear friend and fellow countryman Mr. José Mereb, I offer you my cordial greetings.
    This beautiful morning, I received your kind letter, including three copies of the book A Tear and a Smile translated into Portuguese.
    Great was my joy for your noble act of conveying this moral problem from the region of ideas to the world of reality.
    As God is my witness, my contentment is not the effect of a particular disorder, for recognizing that in our Arabic language, thousands of literary works are more deserving than A Tear and a Smile to be translated into another language.
    However, I am glad to hear that the awakened sons of my race, after spending so many years in exile, withdrawn wholly to material causes, have begun to exhibit something of our valuable intellectual treasures before the Western people.
    The grateful emotion I feel for you is a collective emotion; it is not individual; as an entity, I do not deserve any element of your noble initiative, shaped by delicate and altruistic sentimentality.
    As for your decision to translate the book The Broken Wings, it is yet another proof of your spiritual energy and your love of work.
    Certainly, it makes my soul very happy, the comforting news of your translation of The Broken Wings as it is more attractive to my heart than other writings of mine, because it represents the painful profile of the oriental woman, who sees herself placed between Divine love and worldly duty.
    I had written most of the parts of A Tear and a Smile before I turned twenty springs; they came out pale, wrapped in new ones. The Broken Wings, however, was written many years later; although it is not what I wanted, it is, more like a mature branch than a green one.
    Allow me to say another word to you concerning The Broken Wings. Here it is…
    I know that the moral problems of our days do not materialize and do not have their effects, if not through money, recognizing, that my moral help is not enough. I therefore want to help this noble initiative with something material; I ask you to inscribe my name with twenty pounds sterling in the list of those who signed up for this worthy act of yours; and I am ready to send you this insignificant amount whenever you want.
    The book The Tempests, my last work in Arabic, has just been published by «al-Hilāl» Printing Department in Egypt. But I still have not received the copies they were supposed to send me. As soon as they arrive, I will send you one, hoping you will find something in it that will please and satisfy you.
    You told me in one of your previous letters that you had sent me your portrait; however, with great regret, I tell you that I did not receive it: nevertheless, I was happy to see it lithographed in the work A Tear and a Smile. In return, I also offer you mine and ask you to accept it as a proof of my esteem and admiration for you.
    If possible, I beg you to gift me with six more copies of A Tear and a Smile, as some friends who know Portuguese here are eager to acquire the work; and, if possible, if you could also send me what is said in the press about the beautiful translation, I would be thrice grateful to you.
    Please accept my cordial greetings, filled with esteemed gratitude. And may God keep you for your brother,
    Ǧubrān Ḫalīl Ǧubrān
    New York, May 16, 1920

     

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    Majmūʻat al-Rābiṭah al-Qalamiyyah li-Sanat 1921 (The Collection of the Pen Bond for the Year 1921), New York, 1921.
    Majmūʻat al-Rābiṭah al-Qalamiyyah li-Sanat 1921 (The Collection of the Pen Bond for the Year 1921), New York, 1921.
     
    Anthology of writings by members of al-Rābiṭah al-Qalamiyyah. Index begins on page 313, contents listed by author begins on page 316. 
    Authors: Nasib Arida; Rashid Ayyoub; Wadi Bahout; William Catzeflis; Kahlil Gibran; Abd al-Masih Haddad; Nadra Haddad; Elia Abu Madi; Mikhail Naimy.
     
    Source: Arab American National Museum
     
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    Ma‘raḍ al-fannānīn al-Lubnānīyīn fī al-Matḥaf al-Waṭanī, Lubnān: al-Jumhūrīyah al-Lubnānīyah, Wizārat al-Tarbīyah al-Waṭanīyah wa-al-Funūn al-Jamīlah, 1947, pp. 10-11.

    Ma‘raḍ al-fannānīn al-Lubnānīyīn fī al-Matḥafal-Waṭanī, Lubnān: al-Jumhūrīyah al-Lubnānīyah, Wizārat al-Tarbīyah al-Waṭanīyah wa-al-Funūn al-Jamīlah, 1947, pp. 10-11.

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    Mirrors of Heritage, Lebanese American University, No. 12 - Spring/Summer 2020.
    Mirrors of Heritage, Lebanese American University, No. 12 - Spring/Summer 2020.
     
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    Mirrors of Heritage, Special Issue, 20th Anniversary, The Center for Lebanese Heritage, Lebanese American University (LAU), 2202-2022.
    Mirrors of Heritage, Special Issue, 20th Anniversary, The Center for Lebanese Heritage, Lebanese American University (LAU), 2202-2022.
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    Mohammed Abdul Ghani Hassan, "Ashaár wa shuaára min al-Mahjar" (Poems and Poets from the Diaspora), Kitab al-Hilal, number 266, February 1973.
    Mohammed Abdul Ghani Hassan, "Ashaár wa shuaára min al-Mahjar" (Poems and Poets from the Diaspora), Kitab al-Hilal, number 266, February 1973.
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    Mustaqbal al-Lughat al-'arabiat wa al-'alam al-'arabi [The Future of Arabic and the Arab World], Al-Hilal, March 1920
    Mustaqbal al-Lughat al-'arabiat wa al-'alam al-'arabi [The Future of Arabic and the Arab World], Al-Hilal, March 1920, pp. 489-497.
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    Nahnu wa Antum [We and You] 1911

    Nahnu wa Antum [We and You], Mira'at al-Gharb, vol. 12 no. 1316, January 6, 1911, p. 1 [digitized by the Moise A. Khayrallah Center for Lebanese Diaspora Studies, North Carolina State University, Raleigh, NC, USA]. 

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    Nahnu wa Antum [We and You], Al-Hilal 19 (February 1, 1911), pp. 302-304.
    Nahnu wa Antum [We and You], Al-Hilal 19 (February 1, 1911), pp. 302-304.
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    Najma Abdullah Idrees, "The Concept of Death and its Development in Modern Arabic Poetry", Thesis presented for the degree of Doctor of Philosophy in the University of London - School of Oriental and African Studies, May 1987.

    Najma Abdullah Idrees, "The Concept of Death and its Development in Modern Arabic Poetry", Thesis presented for the degree of Doctor of Philosophy in the University of London - School of Oriental and African Studies, May 1987.

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    Narjes Ennasser and Rajai R. Al-Khanji, "Congruities and incongruities in Arabic literary translation: A contrastive linguistic analysis of 'The Prophet' by Khalil Gibran", Kervan–International Journal of Afro-Asiatic Studies, Vol 26, No 1 (2022), pp. 277

    Narjes Ennasser and Rajai R. Al-Khanji, "Congruities and incongruities in Arabic literary translation: A contrastive linguistic analysis of 'The Prophet' by Khalil Gibran", Kervan–International Journal of Afro-Asiatic Studies, Vol 26, No 1 (2022), pp. 277-300.

    Three Arabic translations of Khalil Gibran’s “The Prophet” are chosen among other available Arabic translations. Fifteen translated texts from the book were included for the analysis in this study. The three translations are by Basheer (1934), Abdelahad (1993), and Okasha (2008). The study investigates and analyzes different linguistic levels: discourse, stylistic, semantic, syntactic, and lexical among others as well as different choices made by the translators in rendering the same source text (ST) elements. The study found out that adopting different translation strategies by the translators led to different versions of the same ST. These strategies are based on the aesthetic ornamentation approach by As-Safi (2016). They include idiomaticity, stylistic considerations, cultural orientation, semantic/lexical accuracy, and syntactic accuracy. 

     

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    Nubdhah fī Fann al-Mūsīqá [The Music], New York: Maṭbaʻat Jarīdat al-Muhājir, 1905 [Pocket Edition].

    Nubdhah fī Fann al-Mūsīqá [The Music], New York: Maṭbaʻat Jarīdat al-Muhājir, 1905 [Pocket Edition].

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    On the 10th Anniversary of Gibran's death, La Reforma, Apr 19, 1941, p. 13.

    On the 10th Anniversary of Gibran's death, La Reforma, Apr 19, 1941, p. 13.

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    Raml wa-zabad (Sand and Foam), Translated into Arabic by Anṭūniyūs Bashīr, al-Qāhirah: Yūsuf al-Bustānī, 1927 (1st edition)

    Raml wa-zabad (Sand and Foam), Translated into Arabic by Anṭūniyūs Bashīr, al-Qāhirah: Yūsuf al-Bustānī, 1927 (1st edition).

     
    Source: Arab American National Museum
     
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    Raml wa-zabad wa-al-mūsīqá [Sand and Foam (and The Music)], Translated into Arabic by Anṭūniyūs Bashīr, Bayrūt: Maktabat al-Andalus, 1950.

    Raml wa-zabad wa-al-mūsīqá [Sand and Foam (and The Music)], Translated into Arabic by Anṭūniyūs Bashīr, Bayrūt: Maktabat al-Andalus, 1950.

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    Rashid Ayyoub, Aghani al-Darwish [Songs of the Dervish], Illustrated by Kahlil Gibran, New York: The Syrian-American Press, 1928 (Inscribed by the Author).
    Rashid Ayyoub, Aghani al-Darwish [Songs of the Dervish], Illustrated by Kahlil Gibran, New York: The Syrian-American Press, 1928 (Inscribed by the Author).
     
    First edition volume of poetry by Rashid Ayyoub, includes images by Kahlil Gibran. Signed by author to Elias Sabbagh. 
    This is the second of the three volumes of verse published by the Lebanese-born poet Rashid Ayyoub (1872-1941) nicknamed the "complaining" or "dervish" poet. As a merchant, he visited Paris and Manchester and later emigrated to New York, where he joined the romantic movement of the Mahjar ("exiled") poets, founding with other writers al-Rabitah al-Qalamiyyah (The Pen Bond), the first Arab-American literary society.
     
    Source: Arab American National Museum 
     
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    Shmuel Moreh, Modern Arabic Poetry (1800-1970), Leiden E.J. Brill, 1970
    Shmuel Moreh, Modern Arabic Poetry (1800-1970), Leiden E.J. Brill, 1970