• Popular
    Esteban Fayad, "Gibran Khalil Gibran y Amin Rihani", Mundo Árabe, Jun 30, 1947, p. 10.

    Esteban Fayad, "Gibran Khalil Gibran y Amin Rihani", Mundo Árabe, Jun 30, 1947, p. 10.

    Popular
    Gibran International Academic Conference (Program), Lebanese House, Moscow, May 26-27 and June 1-2, 2021

    Gibran International Academic Conference (Program), Lebanese House, Moscow, May 26-27 and June 1-2, 2021

    Popular
    Gibran International Conference Proceedings, Lebanese House, Moscow, 2021.
    Gibran International Conference Proceedings, Lebanese House, Moscow, 2021. 
    Popular
    Ḥadīqat al-Nabī [The Garden of the Prophet], translated into Arabic by Kamāl Zākhir Laṭīf, al-Qāhirah: Maktabat al-‘Arab, 1950.

    Ḥadīqat al-Nabī [The Garden of the Prophet], translated into Arabic by Kamāl Zākhir Laṭīf, al-Qāhirah: Maktabat al-‘Arab, 1950.

    Popular
    Henri Zoghaib, "Hadha al-Rajul min Lubnan", Lebanese American University (LAU), 2021.

    Henri Zoghaib, "Hadha al-Rajul min Lubnan", Lebanese American University (LAU), 2021.

    Popular
    Ibrahem Bani Abdo & Sajida B. Yaseen, "A Cultural Contrastive Translation Study of Omission in Gibran's the Broken Wings", Journal of Social Sciences, Vol.8, No.4, 2019, pp. 805-816. 
    Ibrahem Bani Abdo & Sajida B. Yaseen, "A Cultural Contrastive Translation Study of Omission in Gibran's the Broken Wings", Journal of Social Sciences, Vol.8, No.4, 2019, pp. 805-816. 
    _________
     
    This study investigates how omission may affect the aesthetic features of the target text (TT) compared to the source text (ST) and does omission lead to a loss of meaning in translating the aesthetic entertaining features of Gibran's Al-‘Ajniha Al-Mutakaserah source text (ST) compared to its English equivalent novel target text (TT) the Broken Wings. It aims to discuss the effects of omission in the translation process between Arabic and English and whether this selected technique may affect the semantic level and the loss of meaning of the target text compared to the source text. Consequently, this article detects omission of metaphor, simile, and repetition and how it may affect the semantic levels of the source text (ST). It is a qualitative comparative analysis examines omission of 20 random samples extracted from Gibran’s Al-‘Ajniha Al-Mutakaserah (1912). The sample is grouped in five categories according to the type of omitted figurative expression as (i) Repetitions; (ii) Metaphors; (iii) Adverb of status; (iv) Personification; and (v) Similes. Each sample is assigned according to their functions. The semantic differences in terms of functions were identified to based on Newmark (1988); Petrulionė (2012); Nida & Taber (2003); Baker (2011); Farghal & Shunnaq (1999); Jayyusi (1977); Ryding (2011); Al-Batal (1990); Abdul-Raof (2006); Johnstone (1991); Obeidat (1997); Younis (2015) and Leppihalme (1997). The results show that omission in translating such poetic novel causes loss of the aesthetic semantic features. The sense of originality and the figurative language have been lost. The intentional or unintentional omission lessens the embellishment embedded in the source text (ST). Finally, omission produces a different effective version, other than the source text (ST).
     
    Popular
    Iskandar Najjār (Alexandre Najjar), Qāmūs Jubrān Khalīl Jubrān (Dictionary of Kahlil Gibran), Bayrūt: Dār al-Sāqī, 2008.
    Iskandar Najjār (Alexandre Najjar), Qāmūs Jubrān Khalīl Jubrān (Dictionary of Kahlil Gibran), Bayrūt: Dār al-Sāqī, 2008.
    Popular
    Jean & Kahlil Gibran, "Jubran Khalil Jubran: Hayatuhu wa 'Alamuhu" (Kahlil Gibran: His Life and World), translated into Arabic by Fatima Qandil and Bahaʼ Jahin, Cairo: Supreme Council Of Culture, 2005.

    Jean & Kahlil Gibran, "Jubran Khalil Jubran: Hayatuhu wa 'Alamuhu" (Kahlil Gibran: His Life and World), translated into Arabic by Fatima Qandil and Bahaʼ Jahin, Cairo: Supreme Council Of Culture, 2005.

    Popular
    Kahlil Gibran, "Lazarus and His Beloved - The Blind", introduction and translation into Arabic by Henri Zoghaib, 2019.

    Kahlil Gibran, "Lazarus and His Beloved - The Blind", introduction and translation into Arabic by Henri Zoghaib, 2019.

    Popular
    Kamal Dib, Bayrut wa al-Hadathat, al-Thaqafat wa al-Huiat min Jubran ila Fayruz (Beirut and Modernity, Culture and Identity from Gibran to Fayrouz), Bayrut al-Nahar, 2010

    Kamal Dib, Bayrut wa al-Hadathat, al-Thaqafat wa al-Huiat min Jubran ila Fayruz (Beirut and Modernity, Culture and Identity from Gibran to Fayrouz), Bayrut al-Nahar, 2010

    Popular
    Kamila Ghalmi, "The translation of metonymy in Kahlil Gibran's story 'Rose Hanie'", University of Abou Bakr Belkaïd, Tlemcen, Algeria, 2019.

    Kamila Ghalmi, "The translation of metonymy in Kahlil Gibran's story 'Rose Hanie'", University of Abou Bakr Belkaïd, Tlemcen, Algeria, 2019.

    Popular
    Laylat fi al-Arz: Hawl haflat Jubran", al-Irfan, Oct 1, 1931

    Laylat fi al-Arz: Hawl haflat Jubran", al-Irfan, Oct 1, 1931. 

     

    Popular
    Lebsir Mohamed & Louiza Akram, "Misinterpretation in Literary Translation in Gibran Khalil Gibran’s The Prophet", The University 8 Mai 1945 (Algeria), 2016.  _______
    Lebsir Mohamed & Louiza Akram, "Misinterpretation in Literary Translation in Gibran Khalil Gibran’s The Prophet", The University 8 Mai 1945 (Algeria), 2016. 
    _______
     
    This study aimed at investigating the difficulties that translators who deal with the English and Arabic language may face when translating literary expressions. Particularly, it aimed at answering the following questions: 1. What are the main difficulties, related to translation that may lead the translator to misinterpret the source text (English) into (Arabic)? 2. What are the elements that should be taken into consideration to translate, interpret adequately from ST to TT? To achieve the goal of this study, the researcher selected The Prophet by Gibran Khalil Gibran translated work from English to Arabic following the two translations by Tharwat Okasha and Antonious Bachir. The researcher focused on two key elements which are subjectivity and equivalence taking into account many odd elements that are mainly related to literary works such as cultural aspects and linguistic as well as extra-linguistic features of the language. The results show that in order to avoid misinterpreting the source text, the translator has to carefully select the equivalent words and expressions taking into account all aspects of the source language as well as being objective while translating. Adequate literary translation must bring an equivalent and objective production of the source text’s style, meaning, and sometimes structure. Otherwise, the subjective and distinctive literary use in the original text will not transmit the three aspects in the target text.
     
    Popular
    Letter of Kahlil Gibran to José Mereb, New York, May 16, 1920.
    Letter of Kahlil Gibran to José Mereb, New York, May 16, 1920.
     
    51 West Tenth Street
    Dear friend and fellow countryman Mr. José Mereb, I offer you my cordial greetings.
    This beautiful morning, I received your kind letter, including three copies of the book A Tear and a Smile translated into Portuguese.
    Great was my joy for your noble act of conveying this moral problem from the region of ideas to the world of reality.
    As God is my witness, my contentment is not the effect of a particular disorder, for recognizing that in our Arabic language, thousands of literary works are more deserving than A Tear and a Smile to be translated into another language.
    However, I am glad to hear that the awakened sons of my race, after spending so many years in exile, withdrawn wholly to material causes, have begun to exhibit something of our valuable intellectual treasures before the Western people.
    The grateful emotion I feel for you is a collective emotion; it is not individual; as an entity, I do not deserve any element of your noble initiative, shaped by delicate and altruistic sentimentality.
    As for your decision to translate the book The Broken Wings, it is yet another proof of your spiritual energy and your love of work.
    Certainly, it makes my soul very happy, the comforting news of your translation of The Broken Wings as it is more attractive to my heart than other writings of mine, because it represents the painful profile of the oriental woman, who sees herself placed between Divine love and worldly duty.
    I had written most of the parts of A Tear and a Smile before I turned twenty springs; they came out pale, wrapped in new ones. The Broken Wings, however, was written many years later; although it is not what I wanted, it is, more like a mature branch than a green one.
    Allow me to say another word to you concerning The Broken Wings. Here it is…
    I know that the moral problems of our days do not materialize and do not have their effects, if not through money, recognizing, that my moral help is not enough. I therefore want to help this noble initiative with something material; I ask you to inscribe my name with twenty pounds sterling in the list of those who signed up for this worthy act of yours; and I am ready to send you this insignificant amount whenever you want.
    The book The Tempests, my last work in Arabic, has just been published by «al-Hilāl» Printing Department in Egypt. But I still have not received the copies they were supposed to send me. As soon as they arrive, I will send you one, hoping you will find something in it that will please and satisfy you.
    You told me in one of your previous letters that you had sent me your portrait; however, with great regret, I tell you that I did not receive it: nevertheless, I was happy to see it lithographed in the work A Tear and a Smile. In return, I also offer you mine and ask you to accept it as a proof of my esteem and admiration for you.
    If possible, I beg you to gift me with six more copies of A Tear and a Smile, as some friends who know Portuguese here are eager to acquire the work; and, if possible, if you could also send me what is said in the press about the beautiful translation, I would be thrice grateful to you.
    Please accept my cordial greetings, filled with esteemed gratitude. And may God keep you for your brother,
    Ǧubrān Ḫalīl Ǧubrān
    New York, May 16, 1920

     

    Popular
    Majmūʻat al-Rābiṭah al-Qalamiyyah li-Sanat 1921 (The Collection of the Pen Bond for the Year 1921), New York, 1921.
    Majmūʻat al-Rābiṭah al-Qalamiyyah li-Sanat 1921 (The Collection of the Pen Bond for the Year 1921), New York, 1921.
     
    Anthology of writings by members of al-Rābiṭah al-Qalamiyyah. Index begins on page 313, contents listed by author begins on page 316. 
    Authors: Nasib Arida; Rashid Ayyoub; Wadi Bahout; William Catzeflis; Kahlil Gibran; Abd al-Masih Haddad; Nadra Haddad; Elia Abu Madi; Mikhail Naimy.
     
    Source: Arab American National Museum
     
    Popular
    Ma‘raḍ al-fannānīn al-Lubnānīyīn fī al-Matḥaf al-Waṭanī, Lubnān: al-Jumhūrīyah al-Lubnānīyah, Wizārat al-Tarbīyah al-Waṭanīyah wa-al-Funūn al-Jamīlah, 1947, pp. 10-11.

    Ma‘raḍ al-fannānīn al-Lubnānīyīn fī al-Matḥafal-Waṭanī, Lubnān: al-Jumhūrīyah al-Lubnānīyah, Wizārat al-Tarbīyah al-Waṭanīyah wa-al-Funūn al-Jamīlah, 1947, pp. 10-11.

    Popular
    Mirrors of Heritage, Lebanese American University, No. 12 - Spring/Summer 2020.
    Mirrors of Heritage, Lebanese American University, No. 12 - Spring/Summer 2020.
     
    Popular
    Mirrors of Heritage, Special Issue, 20th Anniversary, The Center for Lebanese Heritage, Lebanese American University (LAU), 2202-2022.
    Mirrors of Heritage, Special Issue, 20th Anniversary, The Center for Lebanese Heritage, Lebanese American University (LAU), 2202-2022.
    Popular
    Mohammed Abdul Ghani Hassan, "Ashaár wa shuaára min al-Mahjar" (Poems and Poets from the Diaspora), Kitab al-Hilal, number 266, February 1973.
    Mohammed Abdul Ghani Hassan, "Ashaár wa shuaára min al-Mahjar" (Poems and Poets from the Diaspora), Kitab al-Hilal, number 266, February 1973.
    Popular
    Mustaqbal al-Lughat al-'arabiat wa al-'alam al-'arabi [The Future of Arabic and the Arab World], Al-Hilal, March 1920
    Mustaqbal al-Lughat al-'arabiat wa al-'alam al-'arabi [The Future of Arabic and the Arab World], Al-Hilal, March 1920, pp. 489-497.
    Popular
    Nahnu wa Antum [We and You] 1911

    Nahnu wa Antum [We and You], Mira'at al-Gharb, vol. 12 no. 1316, January 6, 1911, p. 1 [digitized by the Moise A. Khayrallah Center for Lebanese Diaspora Studies, North Carolina State University, Raleigh, NC, USA]. 

    Popular
    Nahnu wa Antum [We and You], Al-Hilal 19 (February 1, 1911), pp. 302-304.
    Nahnu wa Antum [We and You], Al-Hilal 19 (February 1, 1911), pp. 302-304.
    Popular
    Najma Abdullah Idrees, "The Concept of Death and its Development in Modern Arabic Poetry", Thesis presented for the degree of Doctor of Philosophy in the University of London - School of Oriental and African Studies, May 1987.

    Najma Abdullah Idrees, "The Concept of Death and its Development in Modern Arabic Poetry", Thesis presented for the degree of Doctor of Philosophy in the University of London - School of Oriental and African Studies, May 1987.

    Popular
    Narjes Ennasser and Rajai R. Al-Khanji, "Congruities and incongruities in Arabic literary translation: A contrastive linguistic analysis of 'The Prophet' by Khalil Gibran", Kervan–International Journal of Afro-Asiatic Studies, Vol 26, No 1 (2022), pp. 277

    Narjes Ennasser and Rajai R. Al-Khanji, "Congruities and incongruities in Arabic literary translation: A contrastive linguistic analysis of 'The Prophet' by Khalil Gibran", Kervan–International Journal of Afro-Asiatic Studies, Vol 26, No 1 (2022), pp. 277-300.

    Three Arabic translations of Khalil Gibran’s “The Prophet” are chosen among other available Arabic translations. Fifteen translated texts from the book were included for the analysis in this study. The three translations are by Basheer (1934), Abdelahad (1993), and Okasha (2008). The study investigates and analyzes different linguistic levels: discourse, stylistic, semantic, syntactic, and lexical among others as well as different choices made by the translators in rendering the same source text (ST) elements. The study found out that adopting different translation strategies by the translators led to different versions of the same ST. These strategies are based on the aesthetic ornamentation approach by As-Safi (2016). They include idiomaticity, stylistic considerations, cultural orientation, semantic/lexical accuracy, and syntactic accuracy. 

     

    Popular
    Nubdhah fī Fann al-Mūsīqá [The Music], New York: Maṭbaʻat Jarīdat al-Muhājir, 1905 [Pocket Edition].

    Nubdhah fī Fann al-Mūsīqá [The Music], New York: Maṭbaʻat Jarīdat al-Muhājir, 1905 [Pocket Edition].

    Popular
    On the 10th Anniversary of Gibran's death, La Reforma, Apr 19, 1941, p. 13.

    On the 10th Anniversary of Gibran's death, La Reforma, Apr 19, 1941, p. 13.

    Popular
    Raml wa-zabad (Sand and Foam), Translated into Arabic by Anṭūniyūs Bashīr, al-Qāhirah: Yūsuf al-Bustānī, 1927 (1st edition)

    Raml wa-zabad (Sand and Foam), Translated into Arabic by Anṭūniyūs Bashīr, al-Qāhirah: Yūsuf al-Bustānī, 1927 (1st edition).

     
    Source: Arab American National Museum
     
    Popular
    Raml wa-zabad wa-al-mūsīqá [Sand and Foam (and The Music)], Translated into Arabic by Anṭūniyūs Bashīr, Bayrūt: Maktabat al-Andalus, 1950.

    Raml wa-zabad wa-al-mūsīqá [Sand and Foam (and The Music)], Translated into Arabic by Anṭūniyūs Bashīr, Bayrūt: Maktabat al-Andalus, 1950.

    Popular
    Rashid Ayyoub, Aghani al-Darwish [Songs of the Dervish], Illustrated by Kahlil Gibran, New York: The Syrian-American Press, 1928 (Inscribed by the Author).
    Rashid Ayyoub, Aghani al-Darwish [Songs of the Dervish], Illustrated by Kahlil Gibran, New York: The Syrian-American Press, 1928 (Inscribed by the Author).
     
    First edition volume of poetry by Rashid Ayyoub, includes images by Kahlil Gibran. Signed by author to Elias Sabbagh. 
    This is the second of the three volumes of verse published by the Lebanese-born poet Rashid Ayyoub (1872-1941) nicknamed the "complaining" or "dervish" poet. As a merchant, he visited Paris and Manchester and later emigrated to New York, where he joined the romantic movement of the Mahjar ("exiled") poets, founding with other writers al-Rabitah al-Qalamiyyah (The Pen Bond), the first Arab-American literary society.
     
    Source: Arab American National Museum 
     
    Popular
    Shmuel Moreh, Modern Arabic Poetry (1800-1970), Leiden E.J. Brill, 1970
    Shmuel Moreh, Modern Arabic Poetry (1800-1970), Leiden E.J. Brill, 1970
     
    Popular
    Suheil Badi Bushrui, “Kahlil the Heretic on Liberty: A new Translation from the Arabic”. al-Kulliyah, Summer 1969, pp. 12-14.

    Suheil Badi Bushrui, “Kahlil the Heretic on Liberty: A new Translation from the Arabic”. al-Kulliyah, Summer 1969, pp. 12-14.

    Popular
    Ṭansī Zakkā, "Mīn Nu'aymah wa Jubrān", Beirut: Matbaʻat al-Ma'rifah, 1988.

    Ṭansī Zakkā, "Mīn Nu'aymah wa Jubrān", Beirut: Matbaʻat al-Ma'rifah, 1988.

    Popular
    Wadīʻ Amīn Dīb, al-Shiʻr al-ʻArabī fī al-mahjar al-Amrīkī (Arabic Poetry in American Diaspora), Bayrūt: Dār al-Rayḥānī lil-Ṭibāʻah wa-al-Nashr, 1955.

    Wadīʻ Amīn Dīb, al-Shiʻr al-ʻArabī fī al-mahjar al-Amrīkī (Arabic Poetry in American Diaspora), Bayrūt: Dār al-Rayḥānī lil-Ṭibāʻah wa-al-Nashr, 1955.

    Popular
    Yasu' al-Maslub [The Crucified], Al-Hilal, October 1919
    Yasu' al-Maslub [The Crucified], Al-Hilal, October 1919, pp. 97-99.
    Popular
    Yasūʻ ibn ʼal-ʼinsān [Jesus the Son of Man], Translated into Arabic by Sharwat 'Ukāshah, Bayrūt: Dār al-Shurūq, 1999.

    Yasūʻ ibn ʼal-ʼinsān [Jesus the Son of Man], Translated into Arabic by Sharwat 'Ukāshah, Bayrūt: Dār al-Shurūq, 1999.

    Popular
    Yūsuf al-Ḥuwayyik (Yusuf Huwayyik), Ḏikrayātī ma‘a Jubrān. Bāris 1909-1910

    Yūsuf al-Ḥuwayyik (Yusuf Huwayyik), Ḏikrayātī ma‘a Jubrān. Bāris 1909-1910 [My Memories with Gibran. Paris 1909-1910], Bayrūt: Mu’assasat Nawfal, 1979 (1st edition: Bayrūt: Dār al-Aḥad, 1957).
    _______
    This book was translated into English by Matti with the title "Gibran in Paris (New York: Popular Library, 1976)

    Popular
    ʻAbd al-Masīḥ Ḥaddād, Ḥikāyāt al-Mahjar [Tales of the Diaspora], cover design by Kahlil Gibran, New York: al-Maṭbaʻah al-Tijārīyah al-Amrīkīyah, 1921.

    ʻAbd al-Masīḥ Ḥaddād, Ḥikāyāt al-Mahjar [Tales of the Diaspora], cover design by Kahlil Gibran, New York: al-Maṭbaʻah al-Tijārīyah al-Amrīkīyah, 1921.