The Madman… Over Time

14 Nov 2026

The Madman, Kahlil Gibran’s first book written in English, was published in September 1918. When the first batch sold out, Alfred A. Knopf had another printed, and then another. When were those later batches printed? Philippe Maryssael reads the copyright pages for the answer, and asks readers to help fill the gaps.

By Philippe Maryssael

• ❧ KGC ❧ •

KAHLIL GIBRAN COLLECTIVE

By Philippe Maryssael  ·  retired translator and terminologist, translator of Kahlil Gibran and contributor to the Kahlil Gibran Collective  ·  Arlon, Belgium  ·  2026  ·  kahlilgibran.com

Front cover of the first printing of Kahlil Gibran's The Madman, Alfred A. Knopf, September 1918, without the Hand of God design
Front cover of the second printing of The Madman, 1920, with Gibran's gold Hand of God design
Left: the original front cover of The Madman (September 1918). Right: the front cover with the familiar Hand of God design, from the second printing (1920).

The Madman  ·  Knopf printings 1918 – 1982

• ❧ KGC ❧ •

I

A First Book, a Young Publisher

The Madman, Kahlil Gibran’s first book written in English, was published in September 1918. The number of copies printed at the time has not been identified, but it can be assumed that Gibran’s publisher had a limited number printed. There is no reason to think that they were less “prudent” than when printing Gibran’s masterpiece The Prophet five years later, with approximately 1,250 copies for the initial print run.

The Madman was Gibran’s very first book in English, and the publishing house Alfred A. Knopf had been in existence for only three years, since it was founded by Alfred and Blanche Knopf in 1915. Quite a few changes occurred across the different print runs.

1915

Knopf founded

Sept 1918

The Madman published

29

Printings by 1982

9

Still undated

• ❧ KGC ❧ •

II

Covers and Opening Pages

The front cover of the book’s first printing is radically different from the all too familiar one we know from the subsequent printings of The Madman and from all of Gibran’s following books. Gibran’s gold-leaf Hand of God design did not appear on the front cover before the second print batch in July 1920. To be more accurate, the front cover of Gibran’s Twenty Drawings, from December 1919, also features the design, though in a slightly different format.

The Hand of God did not appear on the cover of The Madman until July 1920.

Opening the book leads to other surprises. The first page containing text differs between the first, second and third printings. In the first printing there is an AAK rosette design (AAK stands for Alfred Abraham Knopf). In the second printing the rosette was removed. In the third and subsequent printings, the text at the top of the page shifted from the left to the right.

Opening text page of the first printing of The Madman, 1918, with the AAK rosette
Opening text page of the second printing of The Madman, 1920, without the rosette
Opening text page of the third printing of The Madman, 1924, with the page-top text shifted to the right
Left: first printing, with the AAK rosette. Middle: second printing, without the rosette. Right: third printing, with the page-top text shifted to the right.

• ❧ KGC ❧ •

III

Illustrations and Title Pages

The frontispiece illustration facing the title page is in sepia in the first printing and in black and white in all subsequent printings. The book’s other two illustrations are likewise in sepia in the first printing and in black and white in the later ones.

Sepia frontispiece illustration by Kahlil Gibran in the first printing of The Madman, 1918
Black and white frontispiece illustration by Kahlil Gibran in the second printing of The Madman, 1920
Left: frontispiece from the first printing, in sepia. Right: frontispiece from the second printing, in black and white.

The title pages of the first, second and third printings also show notable differences. The first and second printings have strictly identical title pages. They carry the original Borzoi design selected by Blanche Knopf (see Everyman & His Dog: Gibran’s Borzoi, posted on 13 November 2023), whereas in the third printing and all subsequent ones, the Gibran-designed Borzoi adorns the title page.

The second printing dates from July 1920, yet the year on its title page, in Roman numerals, is MCMXVIII (1918) instead of MCMXX (1920). In the third printing, the year is MCMXXIV (1924).

Title page of the first printing of The Madman with the original Knopf Borzoi and the year MCMXVIII
Title page of the second printing of The Madman, identical to the first, still dated MCMXVIII
Title page of the third printing of The Madman with Gibran's own Borzoi design and the year MCMXXIV
Left: first printing, with the original Knopf Borzoi and the year 1918. Middle: second printing, identical to the first and still dated 1918 rather than 1920. Right: third printing, with Gibran’s Borzoi and the year 1924.

Collector’s Key

How to tell the first three printings apart

Feature1st — 19182nd — 19203rd — 1924
Front cover Original design, no Hand of God Gold Hand of God Gold Hand of God
Opening text page AAK rosette No rosette Page-top text on the right
Illustrations Sepia Black and white Black and white
Title-page Borzoi Knopf original Knopf original Gibran’s design
Title-page year MCMXVIII MCMXVIII (not MCMXX) MCMXXIV
Copyright page Published, September 1918 Adds October 1918 and July 1920 October 1918 removed; second printing now September 1920

• ❧ KGC ❧ •

IV

What the Copyright Pages Tell Us

Now come the copyright pages, and the purpose of this article. The copyright pages in all of Gibran’s books record the dates on which the books were printed over time. As each batch sold out and a new one was printed, a new date was added.

From the first print run to the seventh, which is the first posthumous one, the printings and their dates read as follows.

1st  ·  Sept 1918 The Madman was published in September 1918.

2nd  ·  July 1920 On the copyright page of the second printing, it would seem that The Madman was published in September 1918 and a month later, in October 1918. The second printing is dated July 1920.

3rd  ·  Jan 1924 On the copyright page of the third printing, the October 1918 date from the previous copyright page has been removed. Quite obviously, it must have been a mistake in the typesetting of the second printing’s copyright page. Also quite surprisingly, the date given for the second printing was changed from July 1920 to September 1920. There may have been delays in the release of the second printing, and the copyright page of that release was not adapted accordingly. From the third printing onwards, the date of the second printing has remained unchanged (September 1920).

4th  ·  Dec 1925 The fourth printing was released in December 1925.

5th  ·  June 1927 The fifth printing was released in June 1927.

6th  ·  Oct 1929 The sixth printing was released in October 1929.

10 April 1931 Gibran dies in New York.

7th  ·  Aug 1938 The seventh printing was released in August 1938, almost nine years after the sixth. It is the first posthumous printing.

Copyright page of the first printing of The Madman, 1918

1st · 1918

Copyright page of the second printing of The Madman, 1920, listing October 1918 and July 1920

2nd · 1920

Copyright page of the third printing of The Madman, 1924

3rd · 1924

Copyright page of the fourth printing of The Madman, 1925

4th · 1925

Copyright page of the fifth printing of The Madman, 1927

5th · 1927

Copyright page of the sixth printing of The Madman, 1929

6th · 1929

Copyright page of the seventh printing of The Madman, August 1938, the first posthumous printing

7th · 1938

The copyright pages of the first seven printings, 1918–1938. Each new print run added a line; the second printing’s page carries the stray October 1918 date and the July 1920 date later corrected to September.

A gap of almost nine years separates the sixth printing from the seventh, the first after Gibran’s death.

• ❧ KGC ❧ •

V

The Printings, 1918–1982

What about the eighth and subsequent printings? Based on the copies of The Madman in the personal collections of Glen Kalem-Habib and myself, and on information gathered from websites such as eBay and AbeBooks, the following list could be compiled.

PrintingDate
1 September 1918
1 October 1918 misprint on the 2nd printing, later removed
2 July 1920 as first printed, later corrected
2 September 1920
3 January 1924
4 December 1925
5 June 1927
6 October 1929
7 August 1938 first posthumous
8 1944 month missing
10 January 1947
12 December 1954
15 January 1963
16 May 1964
17 September 1965
18 December 1966
19 March 1968
20 April 1969
22 November 1970
24 February 1973
27 September 1978
29 June 1982

Known printings on a timeline

 
 
Gibran d. 1931
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
1920 1930 1940 1950 1960 1970 1980

Six printings in Gibran’s lifetime, a nine-year pause after his death, then a steady rise that peaks in the 1960s, with a new printing almost every year.

• ❧ KGC ❧ •

VI

Help Us Fill the Gaps

There are gaps in the list. Information on the 9th, 11th, 13th, 14th and several later printings is missing, as is information on more recent Knopf releases of The Madman. We are working on updating the list.

The ledger so far: printings 1 to 29

11918
21920
31924
41925
51927
61929
71938
81944
9?
101947
11?
121954
13?
14?
151963
161964
171965
181966
191968
201969
21?
221970
23?
241973
25?
26?
271978
28?
291982
30+?

date known    still missing

Our efforts would be far more effective if you, the readers of this article, would kindly help us fill in the gaps by sending photographs of the copyright pages of copies in your possession.

Own a copy of The Madman?

Photograph the copyright page (the reverse of the title page) and send it to

hello@kahlilgibran.com

Printings 9, 11, 13, 14, 21, 23, 25, 26, 28 and anything after 1982 are especially wanted.

This article will be updated as soon as we receive new information, and your contributions will be duly acknowledged.

Thank you very much in advance.

❁

All Rights Reserved © Copyright Philippe Maryssael 2026

Photographs from the collections of Philippe Maryssael and Glen Kalem-Habib.