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    Nessrine Naccach, "May Ziadé, pionnière téméraire du féminisme oriental", Atelier - Un Jour, une Parleuse», n°8, August, 2019.

    Nessrine Naccach, "May Ziadé, pionnière téméraire du féminisme oriental", Atelier - Un Jour, une Parleuse», n°8, August, 2019.


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    Newsletter from the Syria-Mount Lebanon League of Liberation (1917)

    Newsletter from the Syria-Mount Lebanon League of Liberation (1917) 

    _________ 

    Newsletter from the Syria-Mount Lebanon League of Liberation for the consideration of the Hon. Secretary of War. It is an appeal to the Secretary of War to have drafted Syrians transferred to the Legion d'Orient (a volunteer army prepared by the French Government).
    Source: Moise A. Khayrallah Center for Lebanese Diaspora Studies/Ameen Rihani Organization
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    Nidaa Hussain Fahmi Al-Khazraji - Mardziah Hayati Abdullah - Bee Eng Wong, "Critical Reading of Gibran’s World in The Prophet", English Language and Literature Studies, Canadian Center of Science and Education, Vol. 3, No. 4, 2013. 
    Nidaa Hussain Fahmi Al-Khazraji - Mardziah Hayati Abdullah - Bee Eng Wong, "Critical Reading of Gibran’s World in The Prophet", English Language and Literature Studies, Canadian Center of Science and Education, Vol. 3, No. 4, 2013. 
    _________
     
    Gibran Khalil Gibran (1883-1931), the Lebanese writer, poet, artist and philosopher, was the bearer of faith in the unity of all religions. He was a key figure in the history of modern EnglishandArabic literature in early 20th Century.The present paper is to show how Gibran represents the world and undesirable social practices in the time of writing his greatest book The Prophet (1923). Gibran lets the readers fell that the prophet (Al-Mustafa) doesn’t belong to this very world; he comes to Orphalese to teach humanity and to correct the society under the tenets of all major religious. Each character in The Prophet, except Al-Mustafa, resamples one member of the deformed society who seeks deliverance. Gibran shortens the process of life and its needs in the 28 texts allowing the readers take an active role to interpret and to dictate the context on oblique hints and innuendo. Gibran views the world as a place that lacks love and peace, where individuals’ life is depraved and corrupted. The most obvious, Gibran is speaking through the mouth of Al-Mustafa preaching many commandments, disciplines and rituals.
     
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    Night and the Madman (From "The Madman"), The Seven Arts, November, 1916

    Night and the Madman (From "The Madman"), The Seven Arts, November, 1916, pp. 32-33.

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    Nubdha fi Fan al-Musiqa [The Music], New York: Al-Mohajer, 1905

    Nubdha fi Fan al-Musiqa [The Music], New York: Al-Mohajer, 1905 [owned by Mary Elizabeth Haskell; inscribed by the Author].

    A short ode to the art of music, it is the first book published by the author. He begins by comparing music to the speech of his beloved, opening the dialogue to how music was worshiped by civilizations of the past and concludes with short poetic descriptions of four modes of Middle Eastern music. 

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    Nubdhah fī Fann al-Mūsīqá [The Music], New York: Maṭbaʻat Jarīdat al-Muhājir, 1905 [Pocket Edition].

    Nubdhah fī Fann al-Mūsīqá [The Music], New York: Maṭbaʻat Jarīdat al-Muhājir, 1905 [Pocket Edition].

    O centenário de “O Profeta”, Carta do Líbano, Ano 28, N. 192, Jan 2023.
    O centenário de “O Profeta”, Carta do Líbano, Ano 28, N. 192, Jan 2023.
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    O Mother Mine, I Wandered Among the Mountains, Three Maiden Lovers [Three Lebanese Folk Poems Translated from the Arabic], Folk Songs of Many Peoples, Vol. II, New York: The Woman's Press, 1922

    O Mother Mine, I Wandered Among the Mountains, Three Maiden Lovers [Three Lebanese Folk Poems Translated from the Arabic], Folk Songs of Many Peoples, Vol. II, New York: The Woman's Press, 1922, pp.  370-373; 380-381; 386-387.

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    On Gibran International Festival (Beirut, 23-30 May 1970), American University of Beirut Bulletin, 13, 22, May 13, 1970.
    On Gibran International Festival (Beirut, 23-30 May 1970), American University of Beirut Bulletin, 13, 22, May 13, 1970.
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    On Gibran's Death, La Reforma, May 22, 1931, pp. 1,3,16.

    On Gibran's Death, La Reforma, May 22, 1931, pp. 1,3,16.

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    On Giving and Taking, The Syrian World, 4, 7, March 1930, p. 32

    On Giving and Taking, The Syrian World, 4, 7, March 1930, p. 32 [digitized by the Moise A. Khayrallah Center for Lebanese Diaspora Studies, North Carolina State University, Raleigh, NC, USA].

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    On Giving and Taking, The Syrian World, 5, 2, October 1930, p. 38

    On Giving and Taking, The Syrian World, 5, 2, October 1930, p. 38 [digitized by the Moise A. Khayrallah Center for Lebanese Diaspora Studies, North Carolina State University, Raleigh, NC, USA].

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    On the 10th Anniversary of Gibran's death, La Reforma, Apr 19, 1941, p. 13.

    On the 10th Anniversary of Gibran's death, La Reforma, Apr 19, 1941, p. 13.

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    On the Art of Writing, The Syrian World, 4, 9, May 1930

    On the Art of Writing, The Syrian World, 4, 9, May 1930, p. 26 [digitized by the Moise A. Khayrallah Center for Lebanese Diaspora Studies, North Carolina State University, Raleigh, NC, USA].

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    Osho, "Books I Have Loved: Talks given from 1982", Oregon, USA, 1984.

    Osho, "Books I Have Loved: Talks given from 1982", Oregon, USA, 1984.

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    Otared Haidar, The Visual Narratives of the High Renaissance: From Aleppo’S Circle to Jubran and New York Pen-Club, ARAM 25:1&2 (2013), pp. 357-363.
    Otared Haidar, The Visual Narratives of the High Renaissance: From Aleppo’S Circle to Jubran and New York Pen-Club, ARAM 25:1&2 (2013), pp. 357-363.
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    Past and Future, The Syrian World, 5, 6, February 1931

    Past and Future, The Syrian World, 5, 6, February 1931, p. 40 [digitized by the Moise A. Khayrallah Center for Lebanese Diaspora Studies, North Carolina State University, Raleigh, NC, USA].

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    Paul M. Wright, The President Meets the Prophet: Charles W. Eliot’s 1910 Encounter with Kahlil Gibran, Harvard Library Bulletin, Fall 2010

    Paul M. Wright, The President Meets the Prophet: Charles W. Eliot’s 1910 Encounter with Kahlil Gibran, Harvard Library Bulletin, Fall 2010, Volume 21: Number 3, pp. 79-92.

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    Paulo Coelho, Namehaye Asheghane Payambar (Cartas de amor de um profeta: Love Letters from a Prophet.

    Paulo Coelho, Namehaye Asheghane Payambar (Cartas de amor de um profeta: Love Letters from a Prophet [Kahlil Gibran to Mary Haskell, 1908-1924]), Translated into Persian by Arash Hejazi, Tehran (Iran): Caravan Publishing, 2000.

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    Percy MacKaye, Saint Louis: A Civic Masque, Frontispiece Portrait of Percy MacKaye by Kahlil Gibran, New York: Doubleday Press, 1920.

    Percy MacKaye, Saint Louis: A Civic Masque, Frontispiece Portrait of Percy MacKaye by Kahlil Gibran, New York: Doubleday Press, 1920.

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    Philippe Maryssael, présentation: "Khalil Gibran: Entre Levant et Ponant", Arlon (Belgique), 8 Octobre 2022 (booklet).
    Philippe Maryssael, présentation: "Khalil Gibran: Entre Levant et Ponant", Arlon (Belgique), 8 Octobre 2022 (booklet). 
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    Piney Kesting, The Borderless Worlds of Kahlil Gibran, Aramco World Magazine, July-August 2019, pp. 28-38.

    Piney Kesting, The Borderless Worlds of Kahlil Gibran, Aramco World Magazine, July-August 2019, pp. 28-38.

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    Poems from the Arabic (The Two Hermits, My Friend, The Three Ants, God), The Seven Arts, May, 1917

    Poems from the Arabic (The Two Hermits, My Friend, The Three Ants, God), The Seven Arts, May, 1917, pp. 64-67.

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    Portrait of Mrs. Bainbridge Colby by Kahlil Gibran (1922), in "Teachers Activity Guide: What is a Portrait?", Doha: Arab Museum Of Modern Art, 2014-2015.

    Portrait of Mrs. Bainbridge Colby by Kahlil Gibran (1922), in "Teachers Activity Guide: What is a Portrait?", Doha: Arab Museum Of Modern Art, 2014-2015.

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    Professor Bushrui Explains Gibran's Centenary, American University of Beirut Bulletin, 25, 9, Mar 7, 1983, pp. 1-3,4.

    Professor Bushrui Explains Gibran's Centenary, American University of Beirut Bulletin, 25, 9, Mar 7, 1983, pp. 1-3,4.

    _______

    Kahlil Gibran Centenary: 1883-1983, organized by Suheil Bushrui and the special committee formed by the Council of Ministers, the American University of Beirut, January 1983
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    Qabla al-Intihar: Safhah Matwiyah min Dafatir Haffar al-Qubur al-Qadimah [Short Story]

    Qabla al-Intihar: Safhah Matwiyah min Dafatir Haffar al-Qubur al-Qadimah [Short Story], al-Funun 1, no. 5 (August 1913), p. 1-3 [digitized by the Moise A. Khayrallah Center for Lebanese Diaspora Studies, North Carolina State University, Raleigh, NC, USA].

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    Qard al-Hurriyah [Essay], al-Umam wa-Dhawatuha [Essay], al-Funun 3, no. 8 (August 1918)

    Qard al-Hurriyah [Essay], al-Umam wa-Dhawatuha [Essay], al-Funun 3, no. 8 (August 1918), pp. v-ix; 561-5 [digitized by the Moise A. Khayrallah Center for Lebanese Diaspora Studies, North Carolina State University, Raleigh, NC, USA].

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    Raja'a Al Khalili, "The Influence of Walt Whitman's Nation-Building Poetics on Kahlil Gibran: A Comparative Study", Damascus University Journal, Vol. 28, No. 3+4, 2012, pp. 101-116.
    Raja'a Al Khalili, "The Influence of Walt Whitman's Nation-Building Poetics on Kahlil Gibran: A Comparative Study", Damascus University Journal, Vol. 28, No. 3+4, 2012, pp. 101-116.
     
    The following research is a comparative study of the influence of Walt Whitman on the Lebanese-American poet Gibran Kahlil Gibran. When Gibran came across the works of Walt Whitman, he found in Whitman's nation-building poetics an inspiration to reform Arabic poetry and society. Therefore, he emulated Walt Whitman's suggestive style and thematic emphasis on social and political reform. The resemblances between both poets stem from their personal involvement in building their societies and from the belief of a poet's dedication to national aspirations. They also believed that a necessary step begins by attempting to reform poetry itself. As to the differences between them, they are mainly attributed to the sense of urgency of reform which Gibran felt is necessary for the Arab world that was under a foreign rule. Gibran in his poems wanted to show his fellow countrymen that liberation should come from their inner strength. In conclusion, Gibran stands out as a unique writer of that period and appears more committed than any Arab American writer to problems in the Arab world.
     
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    Raml wa-zabad (Sand and Foam), Translated into Arabic by Anṭūniyūs Bashīr, al-Qāhirah: Yūsuf al-Bustānī, 1927 (1st edition)

    Raml wa-zabad (Sand and Foam), Translated into Arabic by Anṭūniyūs Bashīr, al-Qāhirah: Yūsuf al-Bustānī, 1927 (1st edition).

     
    Source: Arab American National Museum
     
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    Raml wa-zabad wa-al-mūsīqá [Sand and Foam (and The Music)], Translated into Arabic by Anṭūniyūs Bashīr, Bayrūt: Maktabat al-Andalus, 1950.

    Raml wa-zabad wa-al-mūsīqá [Sand and Foam (and The Music)], Translated into Arabic by Anṭūniyūs Bashīr, Bayrūt: Maktabat al-Andalus, 1950.

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    Ramón Díaz Sánchez, "Libano. Una historia de hombres y de pueblos. Los libaneses en América y en Venezuela", Caracas: Corporación Universo Ltda, 1969, pp. 161-176.

    Ramón Díaz Sánchez, "Libano. Una historia de hombres y de pueblos. Los libaneses en América y en Venezuela", Caracas: Corporación Universo Ltda, 1969, pp. 161-176.

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    Rasaʼil Jubran [Letters of Kahlil Gibran], Introduction by Jamil Jabr, Beirut: Manshurat Maktabat Bayrut, 1951.

    Rasaʼil Jubran [Letters of Kahlil Gibran], Introduction by Jamil Jabr, Beirut: Manshurat Maktabat Bayrut, 1951.

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    Rashad Rida, From Cultural Authenticity to Social Relevance: The Plays of Amin al-Rihani, Kahlil Gibran, and Karim Alrawi, in Colors of Enchantment

    Rashad Rida, From Cultural Authenticity to Social Relevance: The Plays of Amin al-Rihani, Kahlil Gibran, and Karim Alrawi, in Colors of Enchantment: Theater, Dance, Music, and the Visual Arts of the Middle East, Edited by Sherifa Zuhur, Cairo-New York: The American University in Cairo Press, 2001, pp. 151-174.

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    Rashid Ayyoub, Aghani al-Darwish [Songs of the Dervish], Illustrated by Kahlil Gibran, New York: The Syrian-American Press, 1928 (Inscribed by the Author).
    Rashid Ayyoub, Aghani al-Darwish [Songs of the Dervish], Illustrated by Kahlil Gibran, New York: The Syrian-American Press, 1928 (Inscribed by the Author).
     
    First edition volume of poetry by Rashid Ayyoub, includes images by Kahlil Gibran. Signed by author to Elias Sabbagh. 
    This is the second of the three volumes of verse published by the Lebanese-born poet Rashid Ayyoub (1872-1941) nicknamed the "complaining" or "dervish" poet. As a merchant, he visited Paris and Manchester and later emigrated to New York, where he joined the romantic movement of the Mahjar ("exiled") poets, founding with other writers al-Rabitah al-Qalamiyyah (The Pen Bond), the first Arab-American literary society.
     
    Source: Arab American National Museum 
     
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    Reem Mohammed Alzaid, "The Ethics of Prophecy, Utopian Dream, and Dystopian Reality: A Comparative Study of Thomas More’s Utopia and Kahlil Gibran’s The Prophet", University of Alberta (Canada), 2016. 
    Reem Mohammed Alzaid, "The Ethics of Prophecy, Utopian Dream, and Dystopian Reality: A Comparative Study of Thomas More’s Utopia and Kahlil Gibran’s The Prophet", University of Alberta (Canada), 2016. 
    ____________ 
    The main purpose of this study is to compare Thomas More’s Utopia and Khalil Gibran’s The Prophet in relation to their context, as well as to determine how they were received by the academic community. More and Gibran created imaginary worlds in order to criticize their own communities, and to outline what could be the elements of an ideal society. They were educators who created imaginary places in order to fashion their utopian dream. Although they came from different cultures and eras, they touched on common social problems that are still relevant today in our modern society, such as materialism, fanaticism, and the restriction of individual freedom. They were concerned with what constitutes a utopian society and what are the necessary characteristics of an ideal state. Chapter one focuses on Khalil Gibran’s life and on how his personal life and historical background are reflected in his main work The Prophet. The chapter also examines the impact of his hybrid identity as a Lebanese-American immigrant on his writing. Gibran spent his life between the East and the West, and was influenced by both cultures and literatures. This chapter examines how Gibran’s biography contributed to the success of The Prophet and to what extent it is a multireligious and multicultural text. The Prophet went through a long process of gestation before it was published in English which, as now, was the universal language at the time, and which contributed enormously to the popularity of the work. Chapter two looks at More’s biography as the author of Utopia and evaluates how it can be read as a critique of England in the fifteenth century. Utopia has been interpreted in many ways given the contradictions which arise in the text which are responsible for its many ambiguities. In Book I, More appears to criticize English tradition by presenting his Utopia as an ideal commonwealth. Hythloday, the main character of the work, admires these Utopian traditions when in fact More satirizes them for these same reasons. What More criticizes in Book I corresponds to what is said to be positive in utopian society in Book II. This chapter also discusses how interpretations of Utopia differ over time and how some critics have read it as a representation of an ideal commonwealth while others have viewed it as a criticism of English society and culture. Chapter three is a comparative study of More’s Utopia and Gibran’s The Prophet and it deals with their different versions of utopia. The first part of the chapter discusses the major themes that these works have in common such as pride and how it can be destructive in a society when linked to religion or material possessions. Individual freedom is the other major topic they have in common. Both More and Gibran embrace the concept of individualism and reject the idea of a collectivist society. For them, what is destructive of a community is the repression of the individual and his desires. More’s and Gibran’s dream of Utopia, while related to their specific and different backgrounds, find a common ground in their hopes for a similar ideal society. The thesis concludes with a Conclusion that summarizes the differences and similarities between these two authors.
     
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    Reflections on Love, The Syrian World, 6, 2, October 1931

    Reflections on Love, The Syrian World, 6, 2, October 1931, p. 44 [digitized by the Moise A. Khayrallah Center for Lebanese Diaspora Studies, North Carolina State University, Raleigh, NC, USA].

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    Revelation (trans. Andrew Ghareeb), The Syrian World, 5, 10, June 1931

    Revelation (trans. Andrew Ghareeb), The Syrian World, 5, 10, June 1931, pp. 24–25 [digitized by the Moise A. Khayrallah Center for Lebanese Diaspora Studies, North Carolina State University, Raleigh, NC, USA].

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    Robert Hillyer, Thoughts of a Mystic: "Tears and Laughter" by Kahlil Gibran (Review), New York Times, Apr 3, 1949.

    Robert Hillyer, Thoughts of a Mystic: "Tears and Laughter" by Kahlil Gibran (Review), New York Times, Apr 3, 1949.

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    Roberto Meza Fuentes, "El Profeta por Gibran Jalil Gibran", La Reforma, Jan 7, 1933, p. 2.

    Roberto Meza Fuentes, "El Profeta por Gibran Jalil Gibran", La Reforma, Jan 7, 1933, p. 2.

    Roberto Ramos–Perea, Gibran The Ordeal of The Prophet, Neo-Romantic Drama in Two Acts, San Juan (Puerto Rico): Editions Le Provincial, 2024.

    Roberto Ramos–Perea, "Gibran: The Ordeal of The Prophet", Neo-Romantic Drama in Two Acts, San Juan (Puerto Rico): Editions Le Provincial, 2024.

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    Rodney P. Carlisle, Multicultural America: Volume II: The Arab Americans, New York, NY: Infobase Publishing, 2011.

    Rodney P. Carlisle, Multicultural America: Volume II: The Arab Americans, New York, NY: Infobase Publishing, 2011.

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    Rose Cecil O'Neill, Portrait of Kahlil Gibran, 1914.

    Rose Cecil O'Neill, Portrait of Kahlil Gibran, 1914.

    Pencil and watercolor wash on paper mounted on paperboard, Smithsonian American Art Museum, Gift of the Smithsonian Women's Committee in memory of Adelyn Dohme Breeskin, 1987.11.

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    Ruju' al-Habib [The Return of the Beloved], Ayyuha al-Fan [An Ode to the Art], Az-Zouhour, 1, 4, June 1910, pp. 141-145; 1, 5, July 1910

    Ruju' al-Habib [The Return of the Beloved], Ayyuha al-Fan [An Ode to the Art], Az-Zouhour, 1, 4, June 1910, pp. 141-145; 1, 5, July 1910, pp. 193-195.

    The monthly journal Az-Zouhour ("Flowers") was published in Cairo from 1910 until 1913. Altogether, 40 issues exist. The editor Antoun J. Gemayel (1887-1948) did already participate in the publication of the Beirutian newspaper al-Bashir (1870-1947) and the Egyptian newspaper al-Ahram (1875-today). Literature and art were the main focus whereat the journal mainly tried to support young authors and to improve the relationship between arab writers from different regions. In addition Az-Zouhour wanted to keep the balance between European and contemporary Arabic literature like some other later popular journals. Beside literary criticism, book reviews and news about the literary life in Egypt, the authors stand up for the establishment and enhancement of the egyptian theatre. Az-Zouhour was the first journal to publish in its series a play of Shakespeare, Julius Caesar. Until the cut-off in 1913 the journal organized numerous writing competitions which helped to achieve more popularity. Eventually Az-Zouhour was able to add a significant contribution to the Egyptian literary life.

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    Ruth Danenhower, Artist Puts Roosevelt, Wilson and Edison in His Temple of Fame, The New York Press, Sunday Morning, June 7, 1914

    Ruth Danenhower, Artist Puts Roosevelt, Wilson and Edison in His Temple of Fame, The New York Press, Sunday Morning, June 7, 1914, p. 9.

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    Ru’ya [Short Story], al-Hasan ibn Hani al-Mulaqqab bi-Abi Nuwas [Drawing], Ya Nafs [Poem], al-Funun 2, no. 1 (June 1916)

    Ru’ya [Short Story], al-Hasan ibn Hani al-Mulaqqab bi-Abi Nuwas [Drawing], Ya Nafs [Poem], al-Funun 2, no. 1 (June 1916), pp. 1-3; 65; 70-71 [digitized by the Moise A. Khayrallah Center for Lebanese Diaspora Studies, North Carolina State University, Raleigh, NC, USA].

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    Ru’ya [Short Story], An-Nashi’a (Feb. 1922), pp. 137-138.

    An-Nashi’a (The New Generation) was a comprehensive monthly literary magazine dedicated to the advancement of scientific and cultural life in post-World War I Iraq. After the defeat of the Ottoman Empire in that war, Iraq was placed under a League of Nations mandate administered by the British. In 1921, a monarchy was established, and the country went on to gain independence from Britain in 1932. An-Nashi’a was founded at the beginning of the monarchy, and its first editorial declared that the new publication was a response to the needs of the new nation. Only three issues (called parts) appeared before An-Nashi’a ceased publication. The magazine was owned by Ibrahim Salih; its editor-in-chief was Hassan al-Bayati. Each issue started with long essays on a wide range of issues covering literature, science, arts, philosophy, history, new discoveries, lifestyle, and other news and anecdotes from around the world, especially from America. Examples of topics covered included the value of learning; sea life, minerals, and other resources; poets and poems; lessons from history, which cited Alexander the Great and Julius Caesar; sports, and particularly how American newspapers dedicated many pages on a daily basis to news about sports; the “don’ts” of social etiquette; and “immortal words,” a collection of wisdom attributed to figures from around the world, including George Washington. Overall, the magazine had a progressive and worldly air, although it remained anchored in Arabic culture. The last page was typically “from management” and was dedicated to correcting typographical errors, with apologies to the readers. In addition to the owner and the editor-in-chief, contributing writers included some of the leading pan-Arab intellectuals at that time, such as Iraqi Kurdish poet and philosopher Jamīl Ṣidqi Zahawi, Egyptian writer and essayist Mustafa Lutfi Manfaluti, Turkish-Egyptian poet Waliy ud-Deen Yakun, and Lebanese-American writer and artist Kahlil Gibran.

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    Safia Boushaba, An Analytical Study of Some Problems of Literary Translation: A Study of Two Arabic Translations of K. Gibran's The Prophet, University of Salford, 1988.

    Safia Boushaba, An Analytical Study of Some Problems of Literary Translation: A Study of Two Arabic Translations of K. Gibran's The Prophet, University of Salford, 1988.

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    Salma Sa'igh, Suwar wa-dhikrayat [Images and Memories]

    Salma Sa'igh, Suwar wa-dhikrayat [Images and Memories], Sao Paolo, Brazil, 1946 [digitized by the Moise A. Khayrallah Center for Lebanese Diaspora Studies, North Carolina State University, Raleigh, NC, USA].

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    Salvador Janiné, "Oriente está de duelo", La Reforma, Jun 13, 1931, p. 3.
    Salvador Janiné, "Oriente está de duelo", La Reforma, Jun 13, 1931, p. 3.
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    Salvatore Ritrovato, "Poeti arabi della diaspora. Versi e prose liriche di Kahlil Gibran, Ameen Rihani, Mikhail Naimy, Elia Abu Madi", «Poesia», XXIX, 320, Nov, 2016, p. 68 (review)

    Salvatore Ritrovato, "Poeti arabi della diaspora. Versi e prose liriche di Kahlil Gibran, Ameen Rihani, Mikhail Naimy, Elia Abu Madi", «Poesia», XXIX, 320, Nov, 2016, p. 68 (review)