"Arab Philosopher Desires Jews to Have Fair Chance in Palestine", New York, September 22 (Year and Journal Unknown).

"Bari, sono in un libro i ‘20 disegni’ di Kahlil Gibran, scrittore d’Oriente", Puglia, 
May 23, 2007, p. 17 

"East is West: A Review of 'Twenty Drawings' by Kahlil Gibran", Arts & Decoration, New York, Jan. 1920, p. 196.

"Gibrán Jalil Gibrán: Espuma y Arena", Mundo Árabe, Nov 15, 1973, p. 12.

"Gibran Khalil Gibran: Fragmentos Biográficos", La Reforma, Jan 1, 1938, p. 15.

"Homenaje a Gibran Khalil Gibran", La Reforma, May 17, 1941, p. 8.

"Jababiret al-Ard" (The Earth Gods), a theatre play, adaptation of the book by Kahlil Gibran, Ramallah 2003.

_________

"Presentia y aporte de la cultura Arabe en Chile", Mundo Árabe, Jun 1, 1951, p. 3.

"Robo judio Mois Hain Harun escritos del gran Gibrán Khalil Gibrán", Mundo Árabe, Feb 25, 1949, p. 5.

"Syrian Poet's Body Starts For Homeland", Fitchburg Sentinel (Fitchburg, Worcester, Massachusetts), 24 Jul 1931, p. 11.

5e Rencontre internationale Gibran: «Gibran Khalil Gibran, entre Orient et Occident», L’Actualité: Le Programme de l’Institut du Monde Arabe de l’Ima, 9 Oct 2019-19 Jan 2020, p. 39.

5ème Rencontre Internationale Gibran, IMA, Paris, 3 Octobre 2019, Lebanese American University–LAU, Beirut: Center for Lebanese Heritage, Lebanese American University, 2020.

5ème Rencontre Internationale Gibran, Paris: Institut du Monde Arabe, 3 octobre 2019.

A Man from Lebanon Nineteen Centuries Afterward, The Syrian World, 3, 5, November 1928, 21–26 [digitized by the Moise A. Khayrallah Center for Lebanese Diaspora Studies, North Carolina State University, Raleigh, NC, USA].

A Marvel and a Riddle, The Syrian World, 5, 5, January 1931, p. 18 [digitized by the Moise A. Khayrallah Center for Lebanese Diaspora Studies, North Carolina State University, Raleigh, NC, USA].

A Poet-Painter of Lebanon, The American Review of Reviews, Edited by Albert Shaw, New York: The Review of Reviews Company, vol. LIX, January-June 1919, p. 212.

Kahlil Gibran, A Woman with a Blue Veil, 1916. Watercolor, 8 1/2 x 10 inches (21.5 x 25.3 cm). Collection of the Gibran Khalil Gibran Museum, Courtesy of the Gibran National Committee

Abna' al-Alihah wa Ahfad al-Qurud [The Sons of the Goddess and the Sons of the Monkeys], Mira'at al-Gharb vol. 13 no. 1506, April 3, 1912, p.1 [digitized by the Moise A. Khayrallah Center for Lebanese Diaspora Studies, North Carolina State University, Raleigh, NC, USA].

Abu al-`Ala Ahmad al-Ma`ari: Kama Yatasawwirahu Jibran Khalil Jibran. Naqlan `an Ahad Dafatirihi al-`Atiqah [Drawing]; Abu al-`Ala Ahmad al-Ma`ari [Article], al-Funun 1, no. 6 (September 1913), pp. 57-58 [digitized by the Moise A. Khayrallah Center for Lebanese Diaspora Studies, North Carolina State University, Raleigh, NC, USA].

Aida Imanguliyeva, "Selected Works", Kiev: 2011 (Ukrainian language).

A fourth collection of Gibran’s Arabic stories and prose poems, al-’Awasif (The Storms or The Tempests), came out in Cairo in 1920. The contents dated from 1912 to 1918 and had been published in al-Funun and Mir’at al-gharb (Mirror of the West), an immigrant newspaper. It consists of thirty-one pieces that are generally harsher in tone than the sketches and stories of the three earlier collections. In the title story the narrator is curious about Yusuf al-Fakhri, a hermit who abandoned society in his thirtieth year to live alone on Mount Lebanon. Driven to the hermit’s cell by a storm, he is surprised to find such comforts as cigarettes and wine. The hermit tells the narrator that he did not flee the world to be a contemplative but to escape the corruption of society. In “‘Ala bab al-haykal” (At the Gate of the Temple) a man asks passersby about the nature of love. The powerful “al-’Ubudiya” (Slavery) catalogues the forms of human bondage throughout history. In “al-Shaytan” (Satan) a priest finds the devil dying by the side of the road; Satan persuades the priest that he is necessary to the well-being of the world, and the clergyman takes him home to nurse him back to health. Several other stories deal with the political themes that had concerned Gibran during the war.

Al-'Ubudiyah [Slavery], Mira'at al-Gharb, vol. 13 no. 1420, September 13, 1911, Part II, p. 1 , Part II, p. 1 [digitized by the Moise A. Khayrallah Center for Lebanese Diaspora Studies, North Carolina State University, Raleigh, NC, USA].

Al-Adab, Vol. 1, Nr. 4, 1953.

Al-Ajnihah al-Mutakassirah [Broken Wings], New York: Mir'at al-Gharb, 1912 [owned by Mary Elizabeth Haskell; inscribed by the Author]. In 1912 Gibran published al-Ajniha al-mutakassira, which he seems to have written several years earlier. The novella is his only attempt at a sustained narrative. When he was eighteen, the narrator fell in love in Beirut with Salma Karama. Forced by her father to marry an archbishop’s nephew, Salma was able to meet her lover occasionally until they were discovered together. Salma was then confined to her home and eventually died in childbirth. Reviews in the Arabic press were strongly positive, though there were some reservations about the character of Salma and Gibran’s views on the position of Arab women. The book led to a correspondence with the Syrian writer May Ziyada that evolved into an epistolary love affair.

A collection of four stories. The title character of “Warda al-Hani” is a young woman in an arranged marriage with a kindly older man whom she does not love. She leaves him for a younger lover, disgraced in the eyes of the world but honest in love. In “Surakk al-qubur” (The Cry of the Graves) the emir sentences three criminals to death: a young man who murdered an official, a woman caught by her husband in adultery, and an old man who stole precious ornaments from a church. The narrator approves of the emir’s stern justice, but the day after the executions he learns the truth: the young man was defending a girl the official wanted to rape; the woman loved a young man but had been married against her will; and the old man rented land from the monastery, but the monks left him with so little that his family was starving. In “Madja’ al-’arus” (The Bridal Bed), which Gibran claims is a true story, a girl is tricked into marrying a man she does not love; she kills her true love and herself on her wedding day. In “Khalil al-kafir” (Khalil the Heretic), the most ambitious story in the collection, the young monk Khalil denounces other monks for violating the teachings of Christ. He is beaten and brought to trial, where his eloquence wins over the villagers. They demand that he be made headman, but Khalil knows that power corrupts. He refuses the position and lives quietly with his lover.

Al-Bada’i’ wa al-tara’if (Best Things and Masterpieces), a collection of thirty-five of Gibran’s pieces, was published in Cairo in 1923. The works had been selected by the publisher, and the collection is uneven and miscellaneous. It includes several short articles on major Arab thinkers, illustrated with portraits drawn from Gibran’s imagination, and prose poems and sketches of the sort familiar from his earlier collections. Two pieces are of more interest than the others. “Safinat al-dubab” (A Ship in the Mist) is a strange romantic short story. A lonely young man dreams of a woman who visits him continually in his sleep and is his wife in spirit. When he is sent to Venice, he finds her; but she has just died. Iram, dhat al-’imad (Iram, City of Lofty Pillars) is a one-act play set in a city mentioned in the Qur’an. A young scholar, Najib Rahma, comes to the mysterious city seeking a prophetess, Amina al-’Alawiya, who is said to have visited there. He first meets her disciple, the dervish Zayn al-’Abidin; then Amina al-’Alawiya appears and expounds a monistic mystical philosophy.

al-Bahr al-A`zam [Short Story], Ughniyat al-Layl [Poem], al-Khansa’ [Drawing], al-Funun 2, no. 10 (March 1917), pp. 885-887; 931-933 [digitized by The American University of Beirut, AUB, Lebanon].

al-Banafsajah al-Tamuhah [Short Story], al-Mu`tamad Ibn `Abbad [Drawing], al-Funun 3, no. 1 (August 1917), pp. 1-6; 73 [digitized by the Moise A. Khayrallah Center for Lebanese Diaspora Studies, North Carolina State University, Raleigh, NC, USA].

al-Falaki [Short Story], al-Funun 2, no. 8 (January 1917), p. 673 [digitized by the Moise A. Khayrallah Center for Lebanese Diaspora Studies, North Carolina State University, Raleigh, NC, USA].

al-Hakiman [Short Story], Bayna al-Fasl wa-al-Fasl [Short Story], Ibn al-Muqaffa` [Drawing], al-Funun 3, no. 4 (November 1917), pp. 275-276; 297 [digitized by the Moise A. Khayrallah Center for Lebanese Diaspora Studies, North Carolina State University, Raleigh, NC, USA].

Al-Hoda Centennial: A Tribute to the Pioneers of the Arabic Press in America, New York: Museum of the City of New York - Arab American Institute Foundation, 1998 [digitized by the Moise A. Khayrallah Center for Lebanese Diaspora Studies, North Carolina State University, Raleigh, NC, USA].

al-Husayn al-Awwal, Malik al-Hijaz [Drawing], Harun al-Rashid, A`zam Muluk al-`Arab [Drawing], al-Funun 3, no. 7 (July 1918), pp. 509; 556 [digitized by the Moise A. Khayrallah Center for Lebanese Diaspora Studies, North Carolina State University, Raleigh, NC, USA]. 

al-Jababira [The Titans], Al-Hilal 7 (April 1, 1916), pp. 554-556 (from: al-Hilal fa 'Arbaein Sanat 1892-1932, al-Qahirah: 'Iidarat al-Hilal, 1932, pp. 130-131).

al-Layl wa-al-Majnun [Short Story], `Umar Ibn al-Farid, al-`Arif bi-Allah Sharaf al-Din [Drawing], al-Farid [Essay], al-Funun 2, no. 2 (July 1916), pp. 97-99; 152; 153-4 [digitized by the Moise A. Khayrallah Center for Lebanese Diaspora Studies, North Carolina State University, Raleigh, NC, USA].

al-Majmuʻah al-kāmilah li-muʼallafāt Jubrān Khalīl Jubrān, edited by Mīkhāʼīl Nuʻaymah [Mikhail Naimy], v.3, Bayrūt: Dār Ṣādir, 1949.