Elisa Roncalli - Marco Roncalli, "Gibran e la drammatica carestia del Monte Libano" (Gibran and the Dramatic Famine of Mt. Lebanon), Avvenire, Feb 8 2025, p. 19.

Elisa Roncalli - Marco Roncalli, "Gibran e la drammatica carestia del Monte Libano" (Gibran and the Dramatic Famine of Mt. Lebanon), Avvenire, Feb 8 2025, p. 19.

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Elisa Roncalli, "Kahlil Gibran, il profeta del dialogo tra fedi e culture: Intervista a Francesco Medici", L’Eco di Bergamo, Giovedì 5 Gennaio 2023, p. 34.

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Elizabeth Boosahda, Arab-American Faces and Voices: The Origins of an Immigrant Community, Austin: University of Texas Press, 2003.

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Elizabeth Claire Saylor, A Bridge Too Soon. The Life and Works of ‘Afīfa Karam: The First Arab American Woman Novelist, University of California, Berkeley, Summer 2015.

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Ellis Grossman, ‘Prophet’ Profit Big Success, The Desert Sun, Palm Springs, California, Wednesday, May 22, 1974.

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Elsie Mitchell Rushmore, "A Bibliography for Social Workers among Foreign-Born Residents of the United States", New York City, 1920, pp. 34-35.

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Elvira Diana, "Alcune considerazioni sull’influenza della letteratura russa sui pionieri della nahdah araba", in "Incontri fra Russia e Italia: lingua, letteratura, cultura", ed. Giovanna Moracci, Milan: LED, 2017, pp. 211-223.

Elvira Diana, "Alcune considerazioni sull’influenza della letteratura russa sui pionieri della nahdah araba", in "Incontri fra Russia e Italia: lingua, letteratura, cultura", ed. Giovanna Moracci, Milan: LED, 2017, pp. 211-223.

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Elvis Presley's First Copy of The Prophet 1955

Elvis Presley's First Copy of The Prophet Housed at the Gibran National Museum of Lebanon - Purchased by Glen Kalem-Habib 9th of March 2013

To Whom it may Concern 

My name Homer. M Gilleland For 29 years proceeding his death I was the personal hairdresser 

of Elvis Aaron Presley. 

I originally worked at department store in Memphis called Goldsmiths which had a hair salon. This is where I first met Elvis mother

Gladys.  I also began cutting Elvis fathers hair that is how I Elvis and I gegan doing his hair as well. 

During my employment as Elvis' hairdresser he gave me as gifts numerous items of clothing and personal

property.

This book titled The Prophet was the first book that Elvis received as a gift back in 1955

and it's a book he would continue to read the rest of his life.

Next to the bible it was his favorite book. This particular book which Elvis has handwritten “e.Ps 

personal copy was the book he would often read to his mother. 

Gladys loved this book as well and loved to listen to Elvis read passages out of it.

As with all of Elvus books he would underline certain passages and make notes throughout the book.

Elvis later gave this first copy of this book which he used to read to his mother years later to Charlie Hodge.

I was present when Elvis gave Charlie(d)  this book

Homer M Gilleland 

7-14-1989

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Enrique Cury U., "Gibran Khalil Gibran, Principe del Intelecto", Mundo Árabe, Nov 22, 1954, p. 5.
Enrique Cury U., "Gibran Khalil Gibran, Principe del Intelecto", Mundo Árabe, Nov 22, 1954, p. 5.
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Epistolary Exchange between Mikhail Naimy and Ameen Rihani
Epistolary Exchange between Mikhail Naimy and Ameen Rihani 
____________ 
In his letter in Arabic dated October 10, 1934, Naimy apologizes for not meeting with Rihani for the latter's invitation letter arrived late, and he invites him to Baskinta.
Source: Moise A. Khayrallah Center for Lebanese Diaspora Studies/Ameen Rihani Organization
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Ernie G. Tannis, Mediator: A Life on the Edge of History, ADR, Fall 2012, pp. 3-4.

Ernie G. Tannis, Mediator: A Life on the Edge of History, ADR, Fall 2012, pp. 3-4.

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Esse V. Hathaway, "A Bit of Syria Between the Skyscrapers", The Baltimore Sun, March 20, 1931, p. 16.
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Esteban Fayad, "Alto relieve de la cultura libanesa: Gibrán Jalil Gibrán y Amin Rihani, valores inmortales del pensamiento", Mundo Árabe, Jan 20, 1950, p. 9.

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Esteban Fayad, "El Libano: y sus grandes Escritores", Mundo Árabe, Mar 19, 1954, p. 11.

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Esteban Fayad, "Gibrán Jalil Gibrán: sabio, escritor y artista", Mundo Árabe, Feb 18, 1955, p. 4.
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Esteban Fayad, "Gibran Khalil Gibran y Amin Rihani", Mundo Árabe, Jun 30, 1947, p. 10.

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Esteban Fayad, "Libaneses inmortales: Gibran Khalil Gibran", Mundo Árabe, Oct 20, 1947, p. 10.

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Esteban Fayad, "Panegirico a la memoria de Gibran", Mundo Árabe, Jun 14, 1957, p. 9.
Esteban Fayad, "Panegirico a la memoria de Gibran", Mundo Árabe, Jun 14, 1957, p. 9.
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Esteban Fayad, "Poder taumatúrgico de las palabras", Mundo Árabe, Aug 19, 1949, p. 9.

Esteban Fayad, "Poder taumatúrgico de las palabras", Mundo Árabe, Aug 19, 1949, p. 9. 

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Étienne Naveau, "La réception de l’œuvre de Khalil Gibran en Indonésie", Archipel 75, Paris, 2008, pp. 63-110.

Étienne Naveau, "La réception de l’œuvre de Khalil Gibran en Indonésie", Archipel 75, Paris, 2008, pp. 63-110.

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Eugene Paul Nassar, Cultural Discontinuity in the Works of Kahlil Gibran, MELUS, Vol. 7, No. 2, Between Margin and Mainstream (Summer, 1980), pp. 21-36.

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Eugenio Griffini, Siria Siriana [Syrian Syria], La Lettura (Corriere della Sera), XVIII, 11, November 1, 1918
Eugenio Griffini, Siria Siriana [Syrian Syria], La Lettura (Corriere della Sera), XVIII, 11, November 1, 1918, pp. 772-779.
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Exhibition of Drawings [Catalogue], New York: M. Knoedler & Co., February 19-March 3, 1917.

Exhibition of Drawings [Catalogue], New York: M. Knoedler & Co., February 19-March 3, 1917.

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Exhibition of Mr. Kahlil Gibran's Studies [Review], The Wellesley College News, 05-26-1909

Exhibition of Mr. Kahlil Gibran's Studies [Review], The Wellesley College News, 05-26-1909, p. 4 . 

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Exhibition: Forty Wash-Drawings by Kahlil Gibran [Catalogue], New York: M. Knoedler & Co., January 29-February 10, 1917.

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Exhibition: Pictures by Kahlil Gibran [Catalogue], New York: Montross Gallery, December 14-30, 1914.

Exhibition: Pictures by Kahlil Gibran [Catalogue], New York: Montross Gallery, December 14-30, 1914.

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Exposition des Artistes Libanais à l'Occasion du Mois de I'Unesco, Beyrouth: Unesco, 1948.

Exposition des Artistes Libanais à l'Occasion du Mois de I'Unesco, Beyrouth: Unesco, 1948.

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Fadi Ahmad Al-Issa, "Living on the Hyphen: The Literature of the Early Arab-American Between 1870-1940", The Florida State University, 2003.

Fadi Ahmad Al-Issa, "Living on the Hyphen: The Literature of the Early Arab-American Between 1870-1940", The Florida State University, 2003.

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Fakhri G. Saghiyyah, The Government of Dr. Ayoub Tabet: March to July 1943, Beirut: American University of Beirut, 1961.

Fakhri G. Saghiyyah, The Government of Dr. Ayoub Tabet: March to July 1943, Beirut: American University of Beirut, 1961.

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Fame, translated by Andrew Ghareeb, The Syrian World, 3, 10, April 1929, p. 28

Fame, translated by Andrew Ghareeb, The Syrian World, 3, 10, April 1929, p. 28 [digitized by the Moise A. Khayrallah Center for Lebanese Diaspora Studies, North Carolina State University, Raleigh, NC, USA].

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Felix Faris papers
Felix Faris papers 
_________
 
Between 1921 and 1922 Felix Faris (Filīks Ḥabīb Fāris, 1882-1939), a prominent Lebanese activist, journalist, writer, poet and translator, spent seven months in the United States. In New York he met the members of “Arrabitah” – The Pen Bond (al-Rābiṭah al-Qalamiyyah) – and became a close friend of Gibran, who considered him a «great literary brother.» He met Gibran for the first time on January 27, 1922, in New York, at Marie El-Khoury’s (Mārī Azīz al-Khūrī, 1883-1957), a refined Syrian-born American journalist and jewelry designer, who had invited them to dinner at her table. Her dinners are told legendary, because «she often served meals in which every course was the color of a gemstone,» and their conversation on that occasion lasted until three o’clock in the morning. Felix recorded his impressions of Gibran in his journal and, when his friend died, he published in Lebanon excerpts from them and exchanged letters. Reading his memories of his stay in the United States, we learn that Felix was upset by Kahlil’s emaciated looks, who in that period suffered a weak constitution, but admired his willpower, despite his disease. Gibran loved his friend’s poems and appreciated best amongst the others Munājāt al-Nafs (Soliloquy), but his favorite one was Turbat al-Judūd, to the point that he promised its author that he would have translated it into English, and he kept the promise. When Felix returned to Lebanon, he received from Kahlil this untitled manuscript: [Forefathers’ Ashes] From the pain of bitter parting To the laughing, faithless sea: From the merciless waves of fear, And then to prison and despair! Is this what I sought, my Salwa, When I left you and my home? And behold me now, in a night Whose ears are deaf to my cries, Whose eyes are blind unto my grief. But what if my morn should come? And the star of my morn should rise? What would they bring save a memory To a heart over-burdened with memories? O my thoughts, my stricken thoughts, Fly not towards my homeland, And enter not into my house, Lost, you touch with your dark wings The sleep-veiled eyelids of my mate. Oh for a breath from that fragrant vale, Oh for a draught from that singing stream And for a handful from my forefathers’ ashes To be strewn, as they lay me low, Into my lonely grave. According to what was told by Felix Faris, Gibran’s translation of the poem was published in some «literary magazine,» but there is no other information about it. He never saw Gibran again, and kept the manuscript safe as a precious relic of the great man and poet.
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Floyd Starr, Kahlil Gibran Was a Man I called My Friend (Undated Talk)
Floyd Starr, Kahlil Gibran Was a Man I called My Friend (Undated Talk) 
_______
 
Floyd Elliot Starr (1883-1980) was the founder and president of the Starr Commonwealth for Boys in Albion, Michigan, which he guided for more than fifty years. After attending Albion College and receiving his Bachelor of Arts degree in 1910, he was employed at the Bernarr McFadden’s Healthatorium in Chicago and then at the Beulah Home for Boys. In 1913, he was able to purchase forty acres of land on Montcalm Lake and established his own nonprofit home and residential school for delinquent, homeless, and neglected boys, that later became the Starr Commonwealth for Boys.
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Foreign and American Painters [Catalogue], New York: M. Knoedler & Co., November 27-December 16, 1916.

Foreign and American Painters [Catalogue], New York: M. Knoedler & Co., November 27-December 16, 1916.

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Fragmentos de El Loco de Kahlil Gibran: La Ciudad Santa (Excerpts from The Madman by Kahlil Gibran: The Blessed City, translated into Spanish), Clarinidas, Santiago de Chile, Year II, No. IV, Sept. 1926, pp. 5-6.
Fragmentos de El Loco de Kahlil Gibran: La Ciudad Santa (Excerpts from The Madman by Kahlil Gibran: The Blessed City, translated into Spanish), Clarinidas, Santiago de Chile, Year II, No. IV, Sept. 1926, pp. 5-6.
 
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Francesco Medici, "Figli dei cedri in America. Il carteggio tra Ğubrān Ḫalīl Ğubrān e Amīn Fāris al-Rīḥānī", La rivista di Arablit, I, 1, June 2011

Francesco Medici, "Figli dei cedri in America. Il carteggio tra Ğubrān Ḫalīl Ğubrān e Amīn Fāris al-Rīḥānī", La rivista di Arablit, I, 1, June 2011, pp. 83–112.

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Francesco Medici, "Il Profeta" di Gibran diventa un cartone, «Paneacqua», May 2012

Francesco Medici, "Il Profeta" di Gibran diventa un cartone, «Paneacqua», May 2012, XVII, 197, 51-53. 

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Francesco Medici, "Juhan’s Jihad and the Blond Beast: Ameen Rihani between Islamic Doctrine and Nietzschean Perspective" Louaize Press, 2017, pp. 364-411.

Francesco Medici, "Juhan’s Jihad and the Blond Beast: Ameen Rihani between Islamic Doctrine and Nietzschean Perspective", in "Axes in the Philosophy of Ameen al Rihani" (Maḥāwir fī falsafat Amīn al-Rīḥānī), Beirut: Notre Dame University - Louaize Press, 2017, pp. 364-411.

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Francesco Medici, Háblanos de la belleza. "Twenty Drawings" de Kahlil Gibran, Traducido del italiano por Antonio Abellán, «FMR», 26 (Julio-Agosto), 2008

Francesco Medici, Háblanos de la belleza. "Twenty Drawings" de Kahlil Gibran, Traducido del italiano por Antonio Abellán, «FMR», 26 (Julio-Agosto), 2008, pp. 101–115.

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Francesco Medici, Il dramma di Lazzaro. Kahlil Gibran e Luigi Pirandello, «Asprenas», 49, 2002

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Francesco Medici, Kahlil Gibran e l’Italia, «incroci», no. 35, Jan-Jun 2017

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Francesco Medici, Leggere Gibran in un’era di globalizzazione e conflitti, «Asprenas», 59, 1-4, 2012

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Francesco Medici, Parlaci della bellezza. Su "Venti disegni" di Kahlil Gibran, «FMR», 26 (luglio-agosto), 2008

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Francesco Medici, Parlez-nous de la beauté. Sur "Twenty Drawings" de Kahlil Gibran, Traduction de l’italien par Geneviève Lambert, «FMR», 26 (Juillet-Août), 2008

Francesco Medici, Parlez-nous de la beauté. Sur "Twenty Drawings" de Kahlil Gibran, Traduction de l’italien par Geneviève Lambert, «FMR», 26 (Juillet-Août), 2008, pp. 101–115.

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Francesco Medici, Speak to us of Beauty. On "Twenty Drawings" by Kahlil Gibran, «FMR», 26 (July-August), 2008

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Francesco Medici, Un abito arabo per "Il Profeta". Lettere inedite di Kahlil Gibran a Antony Bashir, «Kervan», 7-11, gennaio 2010

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Francesco Saverio Minervini, "Il Cieco di Kahlil Gibran", incroci, VII, 2003, pp. 165-166 (review)

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Francisco A. Propato, "Khalil Gibran en la Argentina", La Reforma, Sept 2, 1939, p. 1.

Francisco A. Propato, "Khalil Gibran en la Argentina", La Reforma, Sept 2, 1939, p. 1.

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Fred Holland Day, Portraiture and the Camera (The Young Sheik [Kahlil Gibran]), The American Annual of Photography and Photographic Times Almanac, Edited by Walter E. Woodbury, New York: The Scovill & Adams Company, 1899.

Fred Holland Day, Portraiture and the Camera (The Young Sheik [Kahlil Gibran]), The American Annual of Photography and Photographic Times Almanac, Edited by Walter E. Woodbury, New York: The Scovill & Adams Company, 1899.

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Freedom and Slavery [poem], The Syrian World, 6, 6, February 1932, p. 43

Freedom and Slavery [poem], The Syrian World, 6, 6, February 1932, p. 43 [digitized by the Moise A. Khayrallah Center for Lebanese Diaspora Studies, North Carolina State University, Raleigh, NC, USA].

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Gabriela Mistral, "Gibran Khalil Gibran", La Reforma, Jul 26, 1931, p. 3.

Gabriela Mistral, "Gibran Kahalil Gibran", La Reforma, Jul 26, 1931, p. 3.